His jewellery designs of a kneeling deer, a dolphin in the rushes, and butterflies on a flower, which he created in 1937, were produced for many years. In 1940, he created the ‘Kingmark’ to commemorate King Christian’s seventieth birthday. It was mass-produced and worn by Danes to demonstrate their allegiance to Denmark and opposition to the German occupation.
Kastholm was apprenticed as a boy to a blacksmith and worked at that trade for five years in the United States before returning to Copenhagen to study design. Between 1954 – 1958 he studied at the Bygingsteknisk Skole, Frederick, under Arne Jacobsen. In 1959 the Grafisk Høskole. After graduation, he practised architecture and furniture design in Beirut.
In 1927, Jacobsen established his practice in Hellerup. He was Denmark’s first exponent of Functionalism, influenced by Modern architecture of the 1930s, such as Le Corbusier, Gunnar Asplund, and Ludwig Mies van der Rohe. His first significant assignment was the Bellavista housing complex in Copenhagen, which he completed between 1930 and 1934.
Danish silversmith of Art Deco and Cubist works
Erik Magnussen was a silversmith and designer from Denmark. He lived in the United States from 1925 to 1939, first as artistic director of the Gorham Manufacturing Company in New York City and subsequently with his workshop in Chicago and Los Angeles.
What happens when Benjamin Hubert’s LAYER partners with upcycled textile maker Really? An extremely clever, flexible shelving system for textile manufacturer Kvadrat called SHIFT. The wall system quickly goes from a flat acoustic panel to a display shelf in seconds making it perfect for retail spaces, exhibitions, or openings when display areas need to be changed up.
She worked on the editorial staff of The Building Manual from 1944 to 1955. She was a crucial figure in Borge Mogensen’s research on the standardisation of consumer product sizes, and she collaborated with him frequently. They created the Boligens Byggeskabe (BB) and resund cabinet-storage systems in 1957.
Lütken was the principal designer at Kastrup & Holmegard Glasverk from 1942 to 1945, where he adopted his predecessor Jacob Bang’s Modern shapes. In the 1950s, he implemented considerable improvements in manufacturing and aesthetic at Holmegard, inspired by the Triennali di Milano. His pieces featured fluid forms in light-coloured glass, some of which had satin-finish etching. He used heated metal to sculpt created glass.
After the second world war, Jens Harald Quistgaard was apprenticed in the Georg Jensen Solvsmedie in Copenhagen. He has experimented with various media such as wood, metal, glass, steel and ceramics. Ted Nierenberg, the founder of Dansk International, noticed him because of his distinctively Danish craft aesthetic.