Pierre Guariche was a French designer, interior decorator, and architect. He may be best known for the lights he made for Pierre Disderot in the 1950s. Guariche created the ground-breaking “tonneau” chair in 1953. He was searching for a contemporary, affordable alternative to the prewar modernists’ hard chic. Guariche founded the Atelier de Recherche Plastique (ARP: Plastic Research Workshop) in 1954. Guariche founded the Atelier de Recherche Plastique (ARP: Plastic Research Workshop) in 1954. He was appointed artistic director of the Belgian furniture manufacturer Meurop in 1957. Guariche regarded himself as primarily an architect, and his furnishings demonstrate his interest in form and volume.
He specialised in developing industrial furniture for public contexts like schools and government buildings after WWII. He exhibited his whole body of work at both the Salon des Artistes Décorateurs and the Salon des Arts Ménagers. Hitier also created luxury and high-end home furnishings.
A painter before becoming active as an interior architect, he was a cabinetmaker and designer of lighting, printed fabrics, and furniture. His furniture reflected the influences of Chippendale, Louis XVI, Directoire, Restauration, and Louis Philippe styles. Some of Nathan’s furniture was produced by Beyne.
Suzanne Guiguichon was a French furniture designer and decorator. She was born and worked in Paris. Since 1929 she worked as a designer with Maurice Dufrene at the Galeries Lafayette design studio La Maitrise in Paris. Most of the furniture, clocks, lighting, fabrics, rugs, accessories Guiguichon designed anonymously.
Phillippe Starck is one of the most widely known artist‐designer ‘names’ in the late 20th and early 21st centuries, Starck is one of France’s most fêted designers who has worked across a wide range of media. His work epitomises the intersection of art and design, its often fanciful qualities attracting both critical approbation and criticism, particularly in such commissions as pasta for Panzani (1987).
For over 2000 years, cast iron cooking pots have been used. They have long been valued for their durability and heat retention capacity, and it is not uncommon for these valuable items to be passed down from generation to generation. The addition of enamelling is now a significant advancement in this traditional material.