Milan Design

Milan Design, at the intersection of art, functionality, and innovation, stands as a global beacon for cutting-edge design in the realm of Applied and Decorative Arts. This design category embodies the essence of Italian creativity, encapsulating both traditional craftsmanship and forward-thinking modernity. Showcased annually at events like Milan Design Week, it features a dazzling array of furniture, textiles, glassware, and interior design that seamlessly blend form and function. Milan’s rich design heritage, exemplified by iconic brands like Alessi and Kartell, continues to influence and inspire, setting trends that reverberate worldwide. With its ability to effortlessly merge tradition and innovation, Milan Design exemplifies the pinnacle of contemporary elegance in applied and decorative arts, setting the standard for the global design community.

University of Milan courtyard with colorful art installations and historic architecture

The University of Milan promotes applied and decorative arts through courses like “Artistic Production and Industrial Society” and “History of Contemporary Art,” highlighting their cultural and industrial significance.Read More →

Wall Coat Rack by James Irvine

James Irvine, a renowned industrial designer born into a creative family, balanced geometric formalism and user-centric design to produce practical and aesthetically pleasing designs across sectors. Despite his early demise in 2013, his legacy continues in Studio Irvine.Read More →

La Tent Noir designed by Franco Raggi

Franco Raggi, born in 1945, has contributed greatly to the design and architecture fields for over five decades. His designs are celebrated globally, with work showcased in various esteemed institutions. Besides his design work, Raggi has also garnered recognition as a curator and educator.Read More →

enzo frateili sofa featured image

Enzo Frateili was an Italian designer born in Rome and active in Milan. Frateili began his professional career in 1955. In the early 50s, he worked at Stile Industrial; in 1962 he was the Italian correspondent to the journal form. His books included Archiektur und Komfort (1967) and Design e Civiltà della Machina (1969). The Instituto di Architettura e Urbanistica published his paper on the theoretical and methodological aspects of problem-solving, Universitá di Trieste. In 1963, he led a seminar, Hochschule für Gestaltung, Ulm. Read More →