Gunilla Jung was a glass and lighting artist and Silversmith. She designed glassware for Karhula (later Iittala) in the 1930s at the Institute of Applied Arts in Helsinki. Maybe best known for her pioneering lighting projects, such as in Helsinki’s Savoy Theatre.
Taito created her first silver designs and, later in the 1930s, others by Viri and Kultaseppät. She worked with Frans Nykänen, who at varying times was a director at both silversmithies.
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.
Finnish designer Eero Aarnio (b. 1932) is a great innovator of twentieth-century furniture. His plastic chairs from the 1960s are pop culture icons that continue to be in demand, which is why Aarnio Originals began manufacturing them again in 2017 after launching at the Stockholm Furniture Fair.
Motzfeldt is best known for her glass creations. Her work is on show at the National Museum of Art, Architecture, and Design in Oslo, the Victoria and Albert Museum in London, the Kunstindustrimuseum in Copenhagen, the Nationalmuseum in Stockholm, and the Frauenau Glass Museum in Germany (donation Wolfgang Kermer).
He was born in Gravellona Lomellina, Italy. He was the son of Pehr Ambjörn Sparre af Söfdeborg (1828–1921) and Teresita Adèle Josefa Gaetana Barbavara (1844–1867). His father had served as head of the banknote printing company for the Sveriges Riksbank. He spent his early childhood with his mother at Villa Teresita in Gravellona while his father was often on business trips.
A delightful set of photo postcards made in Norway in the 1960s. Wonderfully, nearly all the cards in the set include a cheerful red car (of various makes), merrily making its way through the Norwegian countryside. The postcards thus evoke a series of personal snapshots of one person’s road-trip.