This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

The IKO KKO tassel chairs (2018) exemplify a distinctive approach to contemporary chair design, merging rigid geometric structure with unexpected textile softness. Defined by their bold, almost architectural frames, these chairs challenge conventional ideas of comfort, decoration, and material hierarchy.
A Contrast of Hard and Soft
At first glance, the chairs appear deliberately austere. Constructed from flat planes and visible fastenings, they reference postmodern furniture design through their graphic, almost toy-like forms. However, this rigidity is subverted by the addition of tasselled upholstery beneath the seat.
The tassels introduce movement, tactility, and a subtle sense of humour. This interplay between structure and ornament transforms the chair from a purely functional object into a piece of material culture that invites interaction and curiosity.
Design Significance
The IKO KKO tassel chairs reflect several key design principles:
- Contrast – between industrial surfaces and soft textile fringe
- Emphasis – the tassel element draws immediate visual focus
- Unity and Variety – repeated forms with varied colours and finishes
- Movement – the tassels animate the object even at rest
This combination situates the chairs within a broader lineage of experimental furniture that blurs the boundary between functional design and artistic expression.
A Contemporary Decorative Statement
Rather than concealing construction, these chairs celebrate it. Screws, joints, and edges remain visible, reinforcing an honest, almost naïve aesthetic. The tassels, meanwhile, evoke historical decorative traditions, reinterpreted through a contemporary lens.
The result is a chair that operates simultaneously as seating and statement—an object that embodies both playfulness and critique within modern design practice.
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