Trained as an architect in London, he and a team of 120 transform centuries-old stone ruins into exquisite dwellings at Castello di Reschio, a 3,000-acre private community in Umbria, Italy, on land originally purchased by his parents.
In the early 1900s, he was a designer for Porsgrunds Porselaensfabrik, Porsgrunn. In 1882 Kittelsen was granted a state scholarship to study in Paris. In 1887 he returned to Norway for good. When back in Norway, he found nature to be a great inspiration. He spent the next two years in Lofoten, where he lived with his sister and brother-in-law at Skomvær Lighthouse. Kittelsen also started to write texts to his drawings there.
He studied sculpture at the University of Wisconsin at Madison, under Leo Steppern; in 1966, glass making with Harvey Littleton and Dominick Labino; in 1966, Edinburgh College of Art; in 1967, Royal College of Art, London.
Charles Pfister (1939 to 1990) was an American interior and furniture designer and architect. He was professionally active in San Francisco.
The Swiss Army Knife, every schoolboy’s dream, was first manufactured in the late nineteenth century. The knife is more than a simple pen knife, with its distinctive bright red body bearing the trademark white cross: it is a compact household tool kit.
“Common sense and conventional practice prohibit the evolution of architecture.” This is the first quote you find reading Tom Ngo’s Master’s thesis: The Dinner Address, A Venture into Architectural Absurdity.
Charles Pfister (1939 to 1990) was an American interior and furniture designer and architect. He was professionally active in San Francisco.
Trained as an architect in London, he and a team of 120 transform centuries-old stone ruins into exquisite dwellings at Castello di Reschio, a 3,000-acre private community in Umbria, Italy, on land originally purchased by his parents.
Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice.
The Swiss Army Knife, every schoolboy’s dream, was first manufactured in the late nineteenth century. The knife is more than a simple pen knife, with its distinctive bright red body bearing the trademark white cross: it is a compact household tool kit.
Trained as an architect in London, he and a team of 120 transform centuries-old stone ruins into exquisite dwellings at Castello di Reschio, a 3,000-acre private community in Umbria, Italy, on land originally purchased by his parents.Read More →
In the early 1900s, he was a designer for Porsgrunds Porselaensfabrik, Porsgrunn. In 1882 Kittelsen was granted a state scholarship to study in Paris. In 1887 he returned to Norway for good. When back in Norway, he found nature to be a great inspiration. He spent the next two years in Lofoten, where he lived with his sister and brother-in-law at Skomvær Lighthouse. Kittelsen also started to write texts to his drawings there. Read More →
He studied sculpture at the University of Wisconsin at Madison, under Leo Steppern; in 1966, glass making with Harvey Littleton and Dominick Labino; in 1966, Edinburgh College of Art; in 1967, Royal College of Art, London.Read More →
New York Fashion has been a seminal book on the story of American fashion since its hardcover debut in 1989. Caroline Rennolds Milbank chronicles the enormous changes in the fashion world from the early nineteenth century to the late twentieth century and the rise of prominent American designers such as Ralph Lauren, Calvin Klein, and others.Read More →
The Swiss Army Knife, every schoolboy’s dream, was first manufactured in the late nineteenth century. The knife is more than a simple pen knife, with its distinctive bright red body bearing the trademark white cross: it is a compact household tool kit.Read More →
Charles Pfister (1939 to 1990) was an American interior and furniture designer and architect. He was professionally active in San Francisco.Read More →
To commemorate the museum’s 90th anniversary and the opening of the new MoMA after its historic expansion in October 2019, the book was published as a large-format hardcover.Read More →
“Common sense and conventional practice prohibit the evolution of architecture.” This is the first quote you find reading Tom Ngo’s Master’s thesis: The Dinner Address, A Venture into Architectural Absurdity. Read More →
Klein’s excellent, modest tailoring and beautiful sportswear lines, as well as his casual separates created in the finest linens, silks, and cashmere, had earned him a name by the mid-1970sRead More →
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.Read More →
John Ruskin (1819 – 1900) was a British social critic and writer. His influential books The Seven Lamps of Architecture (1849) and The Stones of Venice (1851—53) show his interest in architecture, particularly the Gothic style. Read More →
A master of what he called “the sculpturing of space,” Isamu Noguchi was an essential figure for modern public art. Noguchi, born to an American mother and a Japanese father, never felt at home anywhere and spent his life creating identities through his sculptures, monuments, and gardens. Read More →
Netsuke: A little Japanese sculptured item of ivory, wood, or porcelain that ranges in height and width from one-half to three inches. Mythological images, flowers, animals, gods, and goddesses are among the carvings. Netsuke pieces were initially employed as toggles in the fourteenth century. A cord was slipped under and over the obi and through a hole in the netsuke.Read More →
Zandra Rhodes is known for her creativity and talent worldwide, and it is images and impressions from all around the world that has so often inspired her art. Images have met her eye and been interpreted through her own very personal vision, boldly pushing their way into the highest levels of fashion, from an aerial view of a Mexican sombrero to the wiggle of the Great Wall of China.Read More →
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen.
Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms. Read More →
Carlo Guiliano was an Italian jeweller and goldsmith who was born in Naples and worked in London. In 1860, Guiliano settled in London and worked for Harry Emanuel. He collaborated with Castellani Italian Jewellers on at least one piece of jewellery. In the archaeological or Etruscan style, he was a talented jeweller. He developed his distinctive style, which was copied a lot in the 1880s and 1890s. The Italian-born Pasquale Novissimo, Guiliano’s assistant, created such delicate enamel decoration on Guillano ‘s pieces that they were difficult to copy.Read More →
This sofa is designed in a so-called minimalist style that is basic and unadorned. Throughout the late 1980s, this emergent style had a significant impact on design in Europe. The sofa in question results from a significant collaboration between a talented young designer and a manufacturer committed to promoting new design.Read More →
A coffee table book is a large, elaborately designed book displayed on a coffee table. Previously, the coffee table book was an essential aspect of house decor. Cosmo Kramer, the postmodern genius, and his book The Coffee Table Book of Coffee Tables come to mind.Read More →
He set up his own design office in Osaka in 1964; in 1969, he began designing furniture for Italian and Japanese firms; he collaborated with Silvio Coppola, Giotto Stoppino, and Bepi Fiori for Bernini. He is best known for the 1980 Wink articulated armchair produced by Cassina, which took four years to design; Read More →
In 1926, she settled in London. Between 1929-39, she lived in Hampstead; from 1931, she worked with Ben Nicholson. 1931—35, was a member of the Seven by Five Society, London. In 1933, she became a member of Abstraction-Création, Paris; Read More →
