He worked as a fashion designer in Tokyo. In 1958, he moved to New York at the invitation of hatter Lilly Daché. He studied ceramics in night classes in New York. In 1973, he returned to Japan, where he studied with Kohbei and painted on unfired porcelain.
In 1873, Image was ordained a priest in the Church of England. From 1882, he was associated with A.H. Mackmurdo in forming the Century Guild and designed the first issue (1884) of the Guild’s publication, The Hobby Horse.
He was one of the founders of Alchimia in 1976. He was particularly active in its graphics program
He learned to throw pottery from William Fishley Holland at the Braunton Pottery, North Devon, 1921—22. In 1923, he met Bernard Leach and Shoji Hamada at St. Ives.
The Milan Triennial X was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE)[1] on 5 November 1953. Its theme was Prefabrication – Industrial Design. It was held at the Palazzo dell’Arte[2] and ran from 28 August 1954 to 22 November 1954.
Unit One was a British avant-garde community of architects and fine artists were created by designer, artist, and teacher Paul Nash to encourage Modernism in art and architecture in England. Henry Moore, Barbara Hepworth, and Ben Nicholson were among the group’s most prominent members, as were the architects’ Wells Coates and Colin Lucas.
The 1960s was a period of rediscovery in interior design – an opportune reawakening to the merits of forgotten favourites that were abandoned, perhaps not because they had become cliches. Interior Designers returned to past design, materials and ideas not because they evoked nostalgia but solely because they are good and contribute something of value to the way they lived at the time
Retro seating is more practical than porch swings and rocking rockers in these socially isolated days
Artifort used freelance designers, including Kho Liang Le and Pierre Paulin. It produced chairs, settees, and tables. It first used plastics in Paulin’s 1965 Chair 582 in tensioned rubber and latex foam and his 1965-66 Armchair 303 in polyester fibreglass. It produced Paulin’s 1953 Chair 157 in polyester, ABS, and elastomers and 1967 F577 chair.
The London Underground is the world’s oldest subway, most people know it colloquially as the Tube. An engineering marvel and just as almost as famous is the map. The Tube map is instantly recognisable all over the world. It is a simple and elegant diagram of the 400-kilometre subway network. It is considered by many as one of the great images of the 20th century.
He worked as a fashion designer in Tokyo. In 1958, he moved to New York at the invitation of hatter Lilly Daché. He studied ceramics in night classes in New York. In 1973, he returned to Japan, where he studied with Kohbei and painted on unfired porcelain.Read More →
In 1873, Image was ordained a priest in the Church of England. From 1882, he was associated with A.H. Mackmurdo in forming the Century Guild and designed the first issue (1884) of the Guild’s publication, The Hobby Horse. Read More →
He was one of the founders of Alchimia in 1976. He was particularly active in its graphics program Read More →
He learned to throw pottery from William Fishley Holland at the Braunton Pottery, North Devon, 1921—22. In 1923, he met Bernard Leach and Shoji Hamada at St. Ives.Read More →
Her family settled in the USA when she was in her teens and took the Carnegie name. In 1909, with a friend, she opened a tiny dress and hat shop, New York, known as Carnegie—Ladies’ Hatter.Read More →
In 1935 he founded his own design company. He designed everything from toys, boats, aircraft, kitchen appliances, lamps and lampshades, beer cans, plastic containers, cigarette lighters, jukeboxes, watches and baby carriages.Read More →
Artifort used freelance designers, including Kho Liang Le and Pierre Paulin. It produced chairs, settees, and tables. It first used plastics in Paulin’s 1965 Chair 582 in tensioned rubber and latex foam and his 1965-66 Armchair 303 in polyester fibreglass. It produced Paulin’s 1953 Chair 157 in polyester, ABS, and elastomers and 1967 F577 chair. Read More →
Between 1960-61, he worked at Latham, Tyler and Jensen, Chicago, and with Jacob Jensen in Copenhagen; in 1961, opened his studio in London, specialising in furniture design; from 1962; began designing seating for Artifort, the Netherlands, who produced more than 20 models of his furniture designsRead More →
He designed furniture and furnishings, lighting for clients including Fargas, Le Cose, Studio Grando, Stilnovo and Evoluzione. He became a member of ADI (Associazione per il Disegno Industriale).Read More →
Hermann Zapf (1918 – 2015) was born and educated in Nuremberg. Gudrun Zapf-von Hesse, a calligrapher and typeface designer, was his wife. Palatino, Optima, and Zapfino are some of the typefaces he developed.Read More →
Unit One was a British avant-garde community of architects and fine artists were created by designer, artist, and teacher Paul Nash to encourage Modernism in art and architecture in England. Henry Moore, Barbara Hepworth, and Ben Nicholson were among the group’s most prominent members, as were the architects’ Wells Coates and Colin Lucas. Read More →
From cl1880, Zen directed the most crucial furniture workshop in Milan. He was active in the stile floreale, continued after the 1902 Turin ‘Esposizione Internazionale d’Arte Decorativa Moderna’ to be known for his Art Nouveau and Symbolist motifs. He was not a designer himself but instead a factory owner and manager. From 1898, his firm was associated with Haas of Vienna, whose designers included Otto Eckmann. Read More →
At the X Milan Triennale exhibition in 1954, he met the furniture manufacturer, Dino Gavina, who subsequently invited Takahama to work for him in Italy. Takahama’s first design for Gavina was the geometrically severe Naeko sofa-bed (1957). Read More →
Between 1949-50, he was a furniture designer at the Stockmann design office, Helsinki; 1951—56, he was furniture and interior designer in the Viljo Revell architecture office, HelsinkiRead More →
The Friends of Finnish Handicraft aims to document and promote typically Finnish textiles. The association was founded in 1879 by Fanny Churberg and inspired by the Swedish Friends of Handicraft association, founded five years earlier. The association has always worked closely with artists and architects and, from an early date, cooperated with, e.g. Jac Ahrenberg. The association collected and published a pattern book of traditional textile patterns in its early days. Read More →
Boucheron was a French court jeweller with branches in Paris, London, Biarritz, and New York. Founded by Frederic Boucheron (1858). Famous for elaborate diamond jewellery during the late 19th century. Expensive novelties shown at international exhibitions in Paris (1867 and 1900) and Philadelphia (1876) attracted wealthy customers (mainly American).Read More →
Louis Rault (1847 – 1903) was a French Sculptor, engraver, silversmith and jewellery designer.Between 1868 and 1875, Rault worked in the Boucheron workshop on the Place Vendôme in Paris. At the end of the nineteenth century, he set up a workshop where he produced silver and jewellery in the Art Nouveau style.Read More →
Between 1877-82, he lived in Munich. As a pictorial artist, he brought about the break with historicism in Norway. Drawing on Norwegian folk art and poetry, he illustrated books and designed tapestries for firms including DNB (Det Norske Billedvaveri).Read More →
He started designing furniture in 1961. In 1964, he set up a workshop in Farnsborough Barn, Banbury, moving in 1976 to Parnham House in Dorset. He established the Parnham Trust and School for Craftsmen in Wood in 1977.Read More →
Between 1928-30, she designed furniture for Kylmakoski; 1928—37, she was a textile designer for Friends of Finnish Handicraft. From 1952, its artistic director, 1937—49, was furniture, textile, and interior designer for Stockmann, Helsinki. Read More →
