Discover how writers, thinkers, and countercultural movements in the late 1960s and early 1970s challenged consumer society through alternative design approaches. From hippie communities rejecting materialism to influential books like Victor Papanek’s “Design for the Real World” and E. F. Schumacher’s “Small is Beautiful,” explore the shift towards socially responsible, decentralized, and sustainable design. Underground magazines also played a crucial role in expressing alternative values and fostering dissent. Learn how these alternative voices continue to inspire present-day design practices.
The Dantesca Chair is a remarkable piece of furniture inspired by Dante Alighieri’s Divine Comedy. Its intricate design, featuring ornate carvings depicting scenes from the epic poem, pays homage to Dante’s imaginative journey through Hell, Purgatory, and Paradise. Crafted with meticulous attention to detail, the chair incorporates symbolic motifs and materials like fine woods and luxurious upholstery. Its enduring allure lies in its ability to captivate modern audiences with its timeless elegance and narrative essence. The Dantesca Chair’s influence extends to contemporary design, inspiring furniture makers to incorporate its symbolism and aesthetic into their own creations. Ultimately, this extraordinary chair stands as a testament to the intersection of artistic expression and functional design in furniture craftsmanship.
The writing desk or bureaux originated in the early seventeenth century from old fashioned Bible boxes. They were flat boxes just large enough to hold the family Bible, which was the most treasured possession. These boxes were almost always kept upon a shelf in the living room. The boxes flat surface and conveniently high form, the owner became accustomed to stand and write their letters on the Bible boxes.
The Jacquard loom, invented by French weaver Joseph-Marie Jacquard in 1805, revolutionized the textile industry by simplifying the weaving process and creating intricate patterns with minimal human intervention. The loom combined advancements from previous inventors, including Bouchier’s needles and hooks, Falcon’s chain of cards, and Vancauson’s prism and lantern wheel mechanism. The loom’s impact on weaving technology and automation is significant, as it paved the way for further advancements in weaving technology and automation.
The Bauhaus School, founded by Walter Gropius in 1919, revolutionized art, architecture, and design by combining theoretical knowledge with practical training. Students completed the Vorkurs, followed by specific workshops, theoretical instruction, and interdisciplinary projects, fostering unity across arts and crafts.
Neon Lighting. Semiflexible, hollow tubes of clear acrylic with small bulbs inside that can be connected to light up all at once or sequentially to produce a “chasing” effect. It’s also known as disco lighting, and it’s given homeowners new illumination alternatives. Lights designers consider neon lighting to be an art form.
In the turbulent days of May 1968 in Paris, a group of artists calling themselves the Atelier Populaire created posters that were vital in spreading the call to unite student and workers. The propaganda of the French revolt was fed by immediate pressures. The day by day events – the disruption of classes at Nanterre University led by Daniel Cohn-Bendit, the supporting student demonstrations in Paris, the police invasion of the Sorbonne and its occupation by students, the barricades, and the government’s reaction and referendum…
Alfred H. Barr Jr. coined the term in 1931 in conjunction with Philip Johnson and Henry-Russell Hitchcock’s 1932 “Modern Architecture: International Exhibition” (along with the accompanying book International Style: Architecture Since 1922) at the New York Museum of Modern Art, where Barr was director.