Theodor Bogler (1897 – 1968) studied at the Bauhaus and the University of Munich. He designed a 1923 mocha machine in ceramics for serial production. His earthenware kitchen containers by Velten-Vordamm ceramic factory were shown at the Bauhaus Exhibition.Read More →
Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents. Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. He designed the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography.Read More →
Hermann Junger was one of the best goldsmiths in Germany. His creative jewellery had a big impact not only in Germany, but also all over Europe and the U.S. He studied at the Staatliche Zeichenakademie, Hanau.Read More →
He was an enthusiastic supporter of the pottery workshop at the Bauhaus, contending that it should be included in the school’s curriculum. When it was separated into design and production workshops, Lindig supervised the latter, combining hand work and mass production approaches.Read More →
Josef Pohl (1894 – 1975) was a Czech lighting designer. He designed the 1929 precursor of the adjustable lamp. Gerd Balzer produced his model. As part of its Kamden collection, Korting und Mathieson created a similar lamp. Pohl and others at the Bauhaus also executed the prototype adjustable wall lamp illustrated in Staaliches Bauhaus, Weimar and produced by Jucker. In 1932, Balzer and Pohl were given the task of coordinating Bauhaus students’ work, which culminated in a competition for conference and furniture design.Read More →
Hermann Gretsch was a German architect, engineer and product designer. In the 1930s, Gretsch worked for the Porzellanfabrik Arzberg.Read More →
The Leica 1, the first functional 35 mm camera, was introduced in Germany in 1925, making photography much more accessible to the general public.Read More →
The universal typeface, 1925, was a geometric alphabet based on bar and circle and was designed by Herbert Bayer (1900) to function efficiently in a technological society. Bayer rejected the “archaic and complicated gothic alphabet” which lingered in the most scientifically advanced society of its time, Germany of the first world war period and the postwar era. Read More →
Between 1905 and 1907, he worked as an apprentice to architect and furniture designer Bruno Paul in Berlin, where he studied wooden furniture design. He created furniture for all of his early homes, including the Werner residence.Read More →
Josef Albers believed Art, he felt, is seeing, and he believed that his contemporaries had not done a good job of this.Read More →
The modernist German designer Marianne Brandt was one of the few women associated with the Bauhaus to make her reputation outside the traditional arts and crafts sectors related to women such as textiles, weaving and pottery. Read More →
Brandt is one of over 200 women product designers from more than 50 countries featured in Woman Made: Great Women Designers (Phaidon) by Jane Hall. The author’s wide lens covers the stories of iconic trailblazers and now-forgotten figures alike, and each designer is presented with one of their seminal works accompanied by a short text about their career and life.Read More →
Finding the perfect vase for flowers is sometimes the most fun when arranging bouquets. Bunchier flowers deserve a bulkier, more bulbous vase. While more delicate flower arrangements could use a skinny, minimalist vase. You know the right vase when you see it.Read More →
Technology is transformed into furniture, and an eye-catching invention is transformed into a beautiful interior design product. Ludwig Mies van der Rohe was the first to give the cantilever chair a light aesthetic and use curved lines to tie it to its surroundings.Read More →
It was a lighting fixture of tubular bulbs wired through thin aluminium tubes. These lights were part of the interior decoration of the Bauhaus Building.Read More →
In Budapest, he studied law, while elsewhere, he studied sketching and painting. During World War I, he began drawing and became interested in Kasimir Malevich and El Lissitzky. Read More →
End of WWII a revolution in furniture design. Womb and shell chairs, biomorphic tables, cat’s cradle pedestals, and architectural shapes are reminiscent of the Second World War’s fertile furniture design era.Read More →
The organisation, Deutscher Werkund was founded in Munich (1907) to improve products’ design through the joint efforts of artists, craftsmen, and manufacturers: its leading lights were Behrens, Theodor Fischer, Hermann Muthesius and Fritz Schumacher.Read More →
When you purchase this item, you get all four prints shown in the main photo. All of our prints are created by a process called Giclée (a French word for “spray’). Read More →
This lovely tee is inspired by the work of the German architect Walter Gropius. He founded the Bauhaus School and, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture.Read More →