Architect (Page 7)

An architect in the realm of Applied and Decorative Arts stands as a pivotal figure bridging the functional aspects of building with the aesthetic principles that shape our environment. Their expertise is not confined to the mere construction of buildings; instead, it extends to creating spaces that resonate with the cultural and artistic ethos of the time. Whether it’s the rhythmic harmony of a building’s facade, the intentional use of materials that carry historical significance, or the integration of sustainable design practices that echo the growing eco-consciousness, architects sculpt the physical world to reflect utility and beauty. They often collaborate with artisans and designers across disciplines—such as furniture, textiles, and lighting—to ensure that every element within a space is cohesive and speaks to the narrative of design they aim to express. In doing so, architects contribute significantly to the legacy of Applied and Decorative Arts, crafting buildings and lived experiences that encapsulate the essence of design.

The Cathedral of Saint Mary of the Assumption

After experience with a concrete contractor, he set up his firm in Bologna in 1923. His first structure was a 1927 cinema in Naples: His first important work was the 1930-32 Communal Stadium in Florence, widely published as an early example of Modern architecture. Read More →

Schoen's table in the ladies' powder room in the RKO Roxy Theatre

He set up his architecture practice in New York in 1905 and, after visiting the 1925 Paris ‘Exposition Internationale des Arts Decoratifs et Industriels Modernes.’ He began offering interior design services. In 1931, he became a professor of interior architecture at New York University. He sold his own and imported textiles and furniture and Maurice Heaton’s glassware in the gallery he established.Read More →

Pattern from Grammar of Ornament by Owen Jones

Owen Jones was a 19th-century British architect and designer renowned for his Arabic-influenced ornamentation. Notably, he served as the Superintendent of Works at the 1851 Great Exhibition and joint director of the Crystal Palace’s decoration. His most influential work is the book ‘The Grammar of Ornament’.
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The Catholic Counter-Reformation is closely related with Baroque, which peaked in Rome around 1630–1680. Despite its origins in Rome, the Baroque style influenced people all around Europe. Its rapid pace, striking realism (giving spectators the feeling that they were watching an actual event), and direct emotional appeal were perfectly suited to announcing the Catholic Church’s renewed vitality. Read More →