Artifort used freelance designers, including Kho Liang Le and Pierre Paulin. It produced chairs, settees, and tables. It first used plastics in Paulin’s 1965 Chair 582 in tensioned rubber and latex foam and his 1965-66 Armchair 303 in polyester fibreglass. It produced Paulin’s 1953 Chair 157 in polyester, ABS, and elastomers and 1967 F577 chair.
Francis Jourdain (1876 – 1958), the son of architect Frantz Jourdain, was born on November 2, 1876. His father created the Salon d’Automne collection. He benefited from his parents’ friendships with prominent intellectuals (Émile Zola, Alphonse Daudet) and artists of the time (the circle of Alexandre Charpentier).
Saarinen faced the problem of trying to treat the leg structurally and visually as part of the reinforced-plastic moulded seat shell with the help of a research team from the Knoll firm led by Donald Petit. This issue had plagued him since he and Charles Eames conducted their first experiments with moulded seat shells.
The pressure-cast aluminium legs and the transition to the shell followed the same process to create an elegant and natural unit that ensures that from all angles, Ro is beautiful and elegant. To make the chair more colourful and tactile, a mixture of different textiles were also used in addition to the shell’s form – one for the shell and one for the cushions.
The RAR was designed by Charles and Ray Eames to be manufactured of metal before being sprayed with neoprene (a synthetic rubber) to make it more comfortable. However, by the time the chair could be manufactured, Herman Miller had developed the technique to build the seat out of polyester bonded with fibreglass strands.
Patricia Urquiola is a Spanish architect based in Milan. She distinguishes herself by her original designs of items and furniture for the finest and most significant international companies. She created the Maia series, one of her most typical works for Kettal, the designer of some of the most emblematic pieces of today’s selection. AD Design Award 2008 for architecture.
He simplified the chair’s structure so that the sculpted backrest and arms form one continuous element. The turned legs rigidly support the deep seat rail and top piece without the need for stretchers, combining an expressive form that draws on Chinese precedents with natural materials and a rationally conceived design destined for the most exacting factory manufacture.
Pollack invented a tubular steel stacking chair, model RP7, which was manufactured from c1932 and revolutionised auditorium seating with its stacking concept. Cox, a British furniture maker, was embroiled in a legal battle with rival Pel in 1934 over the Rp6 stacking chair, which Pel had bought the rights from Pollack.
It’s no coincidence that modern design history is told by chairs rather than cars, typefaces, or home appliances. So many extraordinary chairs were borne from innovative use of materials, a microcosm of objets d’art that take us through a series of key technological episodes in the evolution of design.
A small space doesn’t necessarily mean you have to be cramped. Maybe there is not enough light; furniture doesn’t sit well, the layout isn’t right? How do you make a small room feel more spacious? With clever use of colour, furniture placing, space planning and lighting, your small space can feel as spacious as you need it to b