He was in private practice since 1932. Wallpapers, domestic machine-pressed glassware for Chance Bros., 1953 coronation hangings for Westminster Abbey, gold and silverwares, ceremonial metalwork, glassware for King’s College, Cambridge, 1961 metal-foil murals for the oceanliner Canberra, engraved and sandblasted glass murals for Pilkington.
He worked in the family retail store in Bromley, he encouraged and supported contemporary design and young designers. Dunn’s sold furniture by Marcel Breuer, Serge Chermayeff, and Alvar Aalto; fabric by Donald Bros., Edinburgh Weavers, and Warners; ceramics by Wedgwood and Michael Cardew.
Christian Barman was a key first-generation British industrial designer during the interwar years. He is best known for his 1936 electric iron for HMV, which he started designing in 1933. He studied architecture at Liverpool University and ran his practice until Frank Pick invited him to join London Transport as a Publicity Officer in 1935.
He co-founded Branson Coates Architecture with Doug Branson in 1985 before opening his architecture and design studio in 2006. He was a partner in the Branson Coates architecture and design studio and the founder of the radical NATO (Narrative Architecture Today, established in London in 1983) design group (established in 1985).
The house he occupied until 1945 at Ashcombe, Wiltshire, near friend Edith Olivier was decorated with limited funds using exaggerated baroque furniture. The walls of the ‘Circus Bedroom’ were painted by visiting artist friends, including Rex Whistler and Oliver Messel, in a kind of Surrealistic overstatement.
Michael Roberts, the writer, editor, stylist, and photographer best known for his influential tenures as the fashion and style director of Vanity Fair magazine and the fashion editor of the New Yorker, has died at the age of 75. His work shaped the course of fashion through words, images, and illustrations, and he was appointed Commander of the Order of the British Empire (CBE) for services to fashion in 2022.