The British Royal Society of Arts (RSA) established the Royal Designer for Industry designation in 1936 to encourage high-quality industrial design and elevate the reputation of designers. It is given to persons who have demonstrated “consistent excellence in beautiful and efficient industrial design.”Read More →
He co-founded Branson Coates Architecture with Doug Branson in 1985 before opening his architecture and design studio in 2006. He was a partner in the Branson Coates architecture and design studio and the founder of the radical NATO (Narrative Architecture Today, established in London in 1983) design group (established in 1985).Read More →
Christian Barman was a key first-generation British industrial designer during the interwar years. He is best known for his 1936 electric iron for HMV, which he started designing in 1933. He studied architecture at Liverpool University and ran his practice until Frank Pick invited him to join London Transport as a Publicity Officer in 1935.Read More →
Between 1960-61, he worked at Latham, Tyler and Jensen, Chicago, and with Jacob Jensen in Copenhagen; in 1961, opened his studio in London, specialising in furniture design; from 1962; began designing seating for Artifort, the Netherlands, who produced more than 20 models of his furniture designsRead More →
He was influenced by the sculptural simplicity of German postwar design, such as that of Braun. He redesigned products for Kenwood, including their food mixer. Read More →
Brian Asquith (1930 – 2008) was one of the principal figures in British silversmithing during the 20th century, now regarded as the industry’s heroic age. Read More →
David Lewis was a British industrial designer. He is best known for his work for Bang & Olufsen. He was a distinguished member of Royal Designers for Industry. Read More →
Harold Stabler’s lengthy, illustrious career began in the Arts and Crafts movement and extended into the modernist era. Over the 50 years or so he devoted to the arts, he created an astounding diversity of highly regarded pieces, both unique and mass-produced, in various mediums and styles. Read More →
In acknowledging his power as a propagandist, he claimed, “I wind the spring and the public, in looking at the poster, will have that spring released in its mind.” Read More →
Raami, designed by Jasper Morrison, adds a touch of effortless beauty to any space. Simple, adaptable, and high-quality tableware is framed by careful design that allows the room to take on its own personality. Breakfast, desserts, and cold meals go well in this sea blue Raami bowl. Finland-made pressed glass.Read More →
He worked at Olivetti, where he designed office machinery, starting in 1956. He collaborated with Hans Von Klier on C. Castelli’s corporate design program. He was designing dictating machines for Süd-Atlas Werke in Monaco and electronic apparatus and control systems for Praxis in Milan.Read More →
The exaggerated style was an essential look. The gleaming chrome fins conveyed speed. A car that was higher in the front than the back did the same. The quality of the car’s face — two headlamps for the eyes, a grill for the nose, and a fender for the mouth – was frequently highlighted. This gave the vehicle the appearance of a devoted companion with a distinct personality.Read More →
It was the Mini Minor, which debuted in 1959, that cemented Issigonis’ place in automotive history. The need to minimise fuel consumption became a primary concern for the automobile industry after the 1956 Suez oil crisis. The Mini was explicitly built to be fuel-efficient.Read More →
Dresser was a one-of-a-kind designer in the nineteenth century. He is regarded as a forerunner of modern industrial design, creating simple, practical things for mass production when colleagues like William Morris and John Ruskin advocated a return to craft production based on the mediaeval guild model.Read More →
Hilton graduated from Kingston Polytechnic in 1979 after attending Portsmouth College of Art and then Kingston Polytechnic. He worked as an industrial designer and model maker till 1984 after graduating.Read More →
He developed a variety of every day goods for silverware manufactures in London and Birmingham between 1865 and 1885.Read More →
Sinclair ZX80 microcomputer, personal computer, plastic/metal / electrical components, made by Sinclair Computer Ltd, Cambridge, Cambridgeshire, England, 1980. Sinclair ZX80 personal computer, or home computer, is a white plastic unit encasing a single printed circuit board. A small black keypad is located on the front of the unit. A QWERTY keyboard is formed by a black sheet of plastic printed in grey and red, with each key having various purposes.Read More →
His subjects are paintings of landscapes, environmental posters and sketches of street life, and protest signs. He has written and illustrated several books, most of them are about countries and cities. He also produced several commemorative postage stamps for the United Kingdom.Read More →
Gray was a fellow student and friend of artist-designer Graham Sutherland at Goldsmiths College School of Art, London University, where he studied painting and design. He served in the Royal Engineers during WWI when he was involved in camouflage work like other famous artists and designers from both wars. Read More →
The phrase ‘less is more’ perfectly encapsulates the core of these works, the quality of which can only be attained by a proper understanding of form.Read More →