Lachenal joined Théodore Deck’s studio in 1870 and later became director. He established his studio in Malakoff, near Paris, in 1880 and Chatillon-sous-Bagneux, France, in 1887. He decorated his pottery with stylized figures, landscapes, greenery, and flowers in the ‘Persian style’ influenced by Deck.
Geoffrey Beene (1927 – 2004) was an American fashion designer; born Haynesville, Louisiana. He was a premed student at Tulane University when he found himself sketching gowns when he became bored during his lectures. Along with Bill Blass, he was regarded as the Godfather of American sportswear.
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.
The purpose of this publication is to introduce the rich and diverse ceramics in the National Trust’s enormous and encyclopedic collection, which contains around 75,000 objects and is kept in 250 historic houses in England, Wales, and Northern Ireland. One hundred essential pieces have been chosen from this vast collection, each adding to our understanding of ceramic patronage and history by showing the very personal stories of ownership, exhibition, taste, and consumption.
British potters have revitalized traditional ceramic forms for nearly a century by creating or reinventing techniques, materials, and display methods. Things of Beauty Growing delves into the primary vessel typologies that have defined studio ceramics from the early twentieth century, such as bowls, vases, and chargers.
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen.
Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms.
In 1899, he became artistic director of Kéramis, Belgian pottery owned by Boch Freres in La Louviere. In c1910, he moved to University City, Missouri, to work for Taxile Doat as a ceramics teacher at the School of Ceramic Art. He went back to France. He belonged to the Société des Artistes Françaises.