Artifort used freelance designers, including Kho Liang Le and Pierre Paulin. It produced chairs, settees, and tables. It first used plastics in Paulin’s 1965 Chair 582 in tensioned rubber and latex foam and his 1965-66 Armchair 303 in polyester fibreglass. It produced Paulin’s 1953 Chair 157 in polyester, ABS, and elastomers and 1967 F577 chair.
He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy. Manufacturers wanted to stimulate demand for their products by offering customers new designs, and Loewy had an abundance of them with the ego to match. His mother had always told him, “It is better to be envied than pitied.”
Lucien Falize (1838- 1897) was French goldsmith and jeweller. He was active in Paris and son of Alexis Falize, father of Andre Falize. When his father retired in 1876, Lucien assumed directorship of the family business. He attempted to expand the business by showing at 1878 Paris ‘Exposition Universelle’ and becoming partners with Germain Bapst. In 1892, the partnership was dissolved.
The Musée des Arts Décoratifs (Museum of Decorative Arts) is a museum dedicated to the exhibition and conservation of decorative arts. Located at 107 Rue de Rivoli in the city’s 1st arrondissement, the museum occupies the northwest wing of the Palais du Louvre, known as the Pavillon de Marsan (Marsan Pavilion). With more than one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe.
Born in Paris, Robert Bonfils was a French graphic artist, painter, and designer. He studied at the École Germain-Pilon in 1903 and at the École Nationale des Beaux-Arts in Paris in 1906.
He worked for Henri Hamm, a furniture designer. His work included paintings, bookbindings, ceramics for Sèvres, Bianchini-Frerier silk, wallpaper and interior design layouts. He designed the tea room at the Au Printemps department store in Paris. With depictions of the seasons, he decorated the wall.
Enzo Frateili was an Italian designer born in Rome and active in Milan. Frateili began his professional career in 1955. In the early 50s, he worked at Stile Industrial; in 1962 he was the Italian correspondent to the journal form. His books included Archiektur und Komfort (1967) and Design e Civiltà della Machina (1969). The Instituto di Architettura e Urbanistica published his paper on the theoretical and methodological aspects of problem-solving, Universitá di Trieste. In 1963, he led a seminar, Hochschule für Gestaltung, Ulm.
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.
Pucci de Rossi was an Italian designer born in Verona and trained with American sculptor H.B. Walker. Pucci de Rossi (1947-2013) is an unusual designer and artist. Jewellery, furniture, sculpture, painting: his works, visually striking and functional, refer to Arte Povera and the neo-baroque work of the Memphis studio.
Daniel Weil is an Argentine architect and designer. He was born in Buenas Aires and is based in London. Weil has always questioned the conventions of product design, and his approach has made him a controversial figure in the design world. Many have referred to his products as art objects,
Candace Wheeler was an American textile and wallpaper designer. She was born in Delhi, New York and professionally active in New York. Long before there was Martha Stewart, Candace Wheeler helped bring a woman’s touch to the male-dominated field of interior design in 19th century America by teaching wealthier women how to make their homes more comfortable.