He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy. Manufacturers wanted to stimulate demand for their products by offering customers new designs, and Loewy had an abundance of them with the ego to match. His mother had always told him, “It is better to be envied than pitied.”
He was born in Geelong, Victoria. In 1965, he married Mary Bronwyn Currey, an English-born interior designer, and the pair worked closely as interior designers for many decades. Between 1938-39, Featherston designed decorative-glass panels for Oliver-Davey Glass, Melbourne, and 1939-40 lighting for Newton and Gray, Melbourne.
Bertel Gardberg was a Finnish jeweller and metal worker. Between 1938-1941 he studied at Taideteollin Korkeaukoulu, Helsinki. He began his working life in Copenhagen. Gardberg moved to Helsinki where he maintained a studio between 1949-1966. He was responsible for stainless steel and silver designs produced by the Georg Jensen Solvsmedie; Galeries Lafayette department store, Paris and Kilkenny Design workshops, Dublin. Although he was known for his metal wares, he also worked in wood and stone.
John Eberson was an american designer who was known for his cinema décors. One of his earliest, the 1923 Majestic Theatre in Houston, Texas, was a loosely recreated garden of a late-Renaissance palazzo in Italy. Through his workshop Michelangelo Studios, he was was successful at producing elaborate plasterwork for his theatre décors in Spanish, Moorish, Dutch, Chinese and other styles.
Paul Rand, was a seminal figure in graphic design who made innovative visual identities for some of America’s major corporations and book and magazine publishers
We all have seen the designs of Paul Rand at some stage of our lives. He had a career spanning nearly seven decades. There is the seminal logo for IBM and the logo for ABC. There is the Westinghouse logo, the logo for NeXT computers. There are posters and packaging, book covers, record covers and a multitude of magazine covers.
Adrian Frutiger was a Swiss graphic designer and typographer. Frutiger created some of the most widely used fonts of the 20th century, and they can be seen daily in airports on street signs and in subway stations. He was the creator of many internationally known and loved fonts such as Avenir, Frutiger, Univers and Vectora.
From 1977 to 1983, he worked as the chief editor of the design magazine Modo and as a consultant for the fashion magazine Donna. She designed interiors for Driade, Gianfranco Ferré, Montres and GFF Duty Free, Fontana Arte, Granciclismo sports machines, and Morassutti/Metropolis, as well as serving as an image and product consultant for the Croff/Rinascente chain.
The 1965 stacking Albinson chair produced by Knoll was similar to British Designer’s Robin Day trendy chair for Hille, although Albinson’s was more sophisticated. They stack, hook together side by side and comfortable to sit in. After Knoll he became a consultant designer to Westinghouse on office seating and furniture systems.
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.
Ray Komai was a Japanese American; he was a graphic, industrial and interior designer. He studied in Los Angeles at the Art Center College.
He settled in New York in 1944, where he worked in advertising and set up a graphic design and advertising office (with Carter Winter). J.G. Furniture created Komai’s 1949 moulded plywood chair with a split seat and bent metal legs. They produced his other designs of chairs, tables and upholstered seating as well.
Paul Tuttle (1918 – 2002) was an American designer best known for his furniture designs and his work in interior design and architecture. Tuttle had no formal design education and instead drew inspiration from his own life and the mentorship of well-known artists like Alvin Lustig, Welton Becket, and Frank Lloyd Wright. Tuttle worked as a furniture designer for over 50 years, producing a body of work that included mass-produced and custom-made pieces.
Less dramatic accomplishments and contributions to the culture of modern civilisation by artists, artisans and designers have been but little publicised. It was in 1937 that a mild-mannered, quiet and kindly man was recognised as a real genius – Frederic W. Goudy, one of the most famous type designers in the world!
Mellor specialised in metalwork, especially cutlery, and was regarded as one of Britain’s most well-known designers. He also built bus shelters and the traffic light system that is currently in operation throughout the United Kingdom, British Crown Dependencies, and British Overseas Territories.
Marc Harrison (1936-1998) was an industrial designer from the United States. Harrison sustained a significant brain injury in a sledding accident when he was eleven years old. He had to relearn simple functions like walking and talking as a result of the crash. Harrison gained experience and motivation for his future work as an industrial designer due to this incident and his lengthy recovery.
Angelo Testa (1921 – 1984) was an American fabric designer. He studied at the Institute of Design, Chicago, to 1945. As well as being a fabric designer, he was a painter and sculptor.
He designed the 1941 Little Man abstract floral fabric, widely published and hailed as a new direction in textile design. It all began, in fact, with a doodle. A free-form sketch with a dancing shape that intrigued its artist.
Fractals are intricate geometric structures created when patterns (or pieces of patterns) are altered and duplicated at ever-diminishing scales. Besides having a tremendously important effect across a range of sciences, fractals make a stunning picture on your tablet. Even simple shapes can quickly grow complicated when they are altered again and again. A close look can reveal endless variations of the same design theme.