Dutch artist Dick Bruna, born into a prestigious publishing family, chose art over publishing. His signature style, influenced by artists like Matisse and Léger, is identified by bold, simple lines and primary colors. His most recognizable creation, Miffy, is a children’s literature and design icon.Read More →
The Miffy plush toy collection at Dymocks offers a lesson in design and comfort using different fabrics and contemporary colour trends. These toys, an icon of minimalist design, are sustainably produced, evoke emotions, and symbolize the intersections of creativity and sustainability in decorative arts.
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Delftware, originating in the Netherlands, was greatly influenced by imported Eastern porcelain. Its tin-glazed earthenware imitated porcelain’s look, gaining popularity as a more affordable alternative. Its aesthetic and affordability drove English manufacturers to produce their own versions, broadening Delftware’s reach.Read More →
These side tables are the outcome of an acrylic resin experiment. Acrylic is a two-part substance made up of mineral powder and water-based acrylic resin.Read More →
Hans Gugelot (1920 – 1965) began his career in engineering (1940–2) and architecture (1940–6) in Switzerland and was closely associated with the radical Hochschüle für Gestaltung (HfG) in UlmRead More →
Feiz’s work has received numerous awards and has been featured in exhibitions and publications worldwide. The overriding inspirations for Feiz’s work can be summed up by: Clarity, concept and context. Feiz has developed several project in collaboration with Artifort, including the Extens, Bras and Beso chair family.Read More →
Plateelbakkerij Ram (1921 – 1969) was an Arnhem-based Dutch ceramics company. Ram was founded in 1921 to produce high-quality ceramic bodies. At Ram 1921—25, Thomas A.C. Colenbrander was the designer for whom the company was established at the age of 80. Ram wares were sold at exhibition auctions as art rather than craft.Read More →
Brandewijnskom are antique Dutch bowls, octagonal or oval in shape, with two handles, used in 17th and 18th century childbirth ceremonies. They were filled with grapes and brandy for guests.Read More →
Robert Oxenaar (1929 – 2017) Designer of Dutch banknotes and stamps. Head of the Art and Design branch of the Dutch postal service. Helped launch a new generation of Dutch designers in the 1970s, including notables like Gert Dumbar.Read More →
Plateelbakkerij de Distel was a Dutch ceramics firm founded in 1895 in Amsterdam. It employed artists for both designing and painting, and produced art pottery, utility ware, tiles, ceramics for special events, and small sculptures. Exhibitions were held before WWI, including the 1904 Louisiana Purchase Exposition.Read More →
J.M. van Kempen was a Dutch silversmith who started a silver factory in Utrecht in 1835 and moved to Voorschoten in 1858. He hired English craftsmen to teach them how to make forks and spoons, and a separate studio was set up to make sculptures and silverwork parts. He didn’t hire outside artists until the 1800s, when Th.L. Sluyterman designed Art Nouveau pieces.Read More →
The phrase “Dutch Design” refers to an informal artistic school of design in the Netherlands, particularly in product design. More specifically, the word refers to the design aesthetic used by Dutch designers. Read More →
Artifort used freelance designers, including Kho Liang Le and Pierre Paulin. It produced chairs, settees, and tables. It first used plastics in Paulin’s 1965 Chair 582 in tensioned rubber and latex foam and his 1965-66 Armchair 303 in polyester fibreglass. It produced Paulin’s 1953 Chair 157 in polyester, ABS, and elastomers and 1967 F577 chair. Read More →
Between 1913 – 1917 he studied in the drawing and painting department, Academie van Beeldende Kunsten, The Hague.Read More →
His design approach has been categorised as New Objectivity, a counter-movement and outgrowth of Expressionism that emerged during the Great Depression in Germany in the 1920s.Read More →
Bloemenwerf, Henry Van de Velde’s property outside Brussels, is the inspiration for this chair. Van de Velde planned and built the house and the interior—from the furniture to the wallpaper—resulting in a holistic design that exemplified the concept of a Gesamtkunstwerk “total work of art”. Read More →
Before 1900, Imans was active in a mannequin factory in Paris. By the 1920s, his establishment was located at 10 rue de Crussol. He became known for his faultlessly finished imitation human skin in wax; in 1922, he developed ‘carnesine’ or ‘carnisine’ to simulate skin; developed a secret formula that was mainly plaster with gelatin; subsequently, produced models in various synthetic materials and wood mounted in-store vitrines worldwide. He produced figures in the images of well-known actresses and politicians.Read More →
Gijs Bakker’s career spans fifty years and not one of them dull. His first piece, Golden Onion, a sperm-shaped bracelet designed in 1965 was the beginning of a rich, varied and invigorating output that shows no sign of slowing down today. Bakker refers to himself as a “jewellery designer” and since the Dutch aren’t big on disingenuousness, I have to take him at his word. Read More →
Dutch designer Gijs Bakker, known for his contemporary jewelry and furniture, blends simplicity and conceptual thinking. He uses novel materials and emphasizes the design’s impact over craftsmanship. Bakker values genuine collaborations and is also inspired by opera singer Maria Callas.Read More →
The Red and Blue Chair’s visual impact has ensured that it will always be a staple image in any history of twentieth-century design. It has become a metaphor for the Modern Movement along with the Schröder home.Read More →