Between 1890 and 1914, the École de Nancy, or Nancy School, was a group of Art Nouveau artisans and designers based in Nancy, France. The furniture designer Louis Majorelle, the cabinet maker and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the Daum crystal factory were important contributors.
In honour of the Estienne family, the school was named after a famous family of printers from the 16th century, including Henri Estienne (elder), Robert Estienne and Charles Estienne. Its mission was to address the poor printing and book-making qualifications and standards, covering theoretical and practical aspects.
He joined the CIAM (Congres Internationaux d’Architecture Moderne) as a founding member in 1928. Lurcat led the commission on urbanism. His furniture and architecture of the 1920s were geometrical forms influenced by Cubism. Thonet produced his furniture for the Ecole Karl-Marx, which resembled Marcel Breuer’s twisted metal tubular furniture.
From 25 May to 25 November 1937, the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Art and Technology Exhibition in Modern Life) was held in Paris, France. Both the Palais de Chaillot, which houses the Musée de l’Homme and the Palais de Tokyo, which houses the Musée d’Art Moderne de la Ville de Paris, were built for this exhibition, which was officially approved by the Bureau International des Expositions.
For over 2000 years, cast iron cooking pots have been used. They have long been valued for their durability and heat retention capacity, and it is not uncommon for these valuable items to be passed down from generation to generation. The addition of enamelling is now a significant advancement in this traditional material.
Born in Paris, Robert Bonfils was a French graphic artist, painter, and designer. He studied at the École Germain-Pilon in 1903 and at the École Nationale des Beaux-Arts in Paris in 1906.
He worked for Henri Hamm, a furniture designer. His work included paintings, bookbindings, ceramics for Sèvres, Bianchini-Frerier silk, wallpaper and interior design layouts. He designed the tea room at the Au Printemps department store in Paris. With depictions of the seasons, he decorated the wall.