Oscar Onken (1858 – 1948) was an American entrepreneur. He was professionally active in Ohio. Onken was a prominent businessman and philanthropist. Impressed with the Gustav Stickley and Austrian stands at the 1904 St. Louis ‘Louisiana Purchase Exposition,’ he founded The Shop of the Crafts in Cincinnati in 1904.
The 1965 stacking Albinson chair produced by Knoll was similar to British Designer’s Robin Day trendy chair for Hille, although Albinson’s was more sophisticated. They stack, hook together side by side and comfortable to sit in. After Knoll he became a consultant designer to Westinghouse on office seating and furniture systems.
Eugene Printz (1889 – 1948) was a French decorator and furniture designer he was born in Paris. Printz worked in his father’s workshop in the rue du Faubourg Saint-Antoine in Paris, where he formed a staff of experimental practitioners. He used materials from the past in his modern furniture pieces,
Ron Arad is an Israeli industrial designer, artist, and architectural designer. He is professionally active in the United Kingdom. Israeli-born Arad studied at the Jerusalem Academy of Art in 1971 before moving to London in 1973 to study at the Architectural Association’s School of Architecture. From 1974 to 1979, he was one of Britain’s most globally known and individual designers.
Jacques-Émile Ruhlmann (1879 – 1933) was a French designer who was born and lived in Paris. n 1907, he took over his father’s house painting company in Paris. He first exhibited his work in 1911, with architect Charles Plumet and couturier Jacques Doucet, Frantz Jourdain, and Tony Selmersheim.
Paul Tuttle (1918 – 2002) was an American designer best known for his furniture designs and his work in interior design and architecture. Tuttle had no formal design education and instead drew inspiration from his own life and the mentorship of well-known artists like Alvin Lustig, Welton Becket, and Frank Lloyd Wright. Tuttle worked as a furniture designer for over 50 years, producing a body of work that included mass-produced and custom-made pieces.
Majorelle took over the family cabinetmaking and ceramics business in Nancy in 1879. In the late 1880s, he began designing Modern furniture. Working in the Art Nouveau style, Majorelle was the most dynamic practitioner of the School of Nancy. By mechanising his factory, he produced significant quantities of highly decorated commercial furniture and more elaborate pieces using expensive materials such as mahogany, burr walnut, and ormolu.