Feiz’s work has received numerous awards and has been featured in exhibitions and publications worldwide. The overriding inspirations for Feiz’s work can be summed up by: Clarity, concept and context. Feiz has developed several project in collaboration with Artifort, including the Extens, Bras and Beso chair family.
From 1882, through his friendship with Arthur H. Mackmurdo, he worked as a draftsman and designed tapestries for William Morris; in 1885, he rented a studio and showed his work for the first time at the Royal Academy; in 1895, he executed murals for the entrance of and a frieze in Siegfried Bing’s shop L’Art Nouveau, Paris
In 1934, he worked in the Indian office of American architect Antonin Raymond. In 1937, in the Tokyo office, he studied Japanese carpentry techniques. In 1941, he set up his first workshop in Seattle. In 1942 in Idaho, Nakashima studied with an old Japanese carpenter until Antonin Raymond arranged his release.
They were full collaborators as husband and wife. Design is infrequently a solitary endeavour, and husband-and-wife teams are not uncommon. The collaborative nature of the Eames work, on the other hand, was easily obscured by Charles’s widespread public recognition as an individual designer and thinker.
Kastholm was apprenticed as a boy to a blacksmith and worked at that trade for five years in the United States before returning to Copenhagen to study design. Between 1954 – 1958 he studied at the Bygingsteknisk Skole, Frederick, under Arne Jacobsen. In 1959 the Grafisk Høskole. After graduation, he practised architecture and furniture design in Beirut.