John Mascheroni is an American furniture and industrial designer. He studied at the Pratt Insitute in Brooklyn New York. He opened his own design office and furniture factory in New York. Mascheroni designed furniture for manufactures in High Point, North Carolina. From 1990, his furniture designs were produced by Swaim and, from 1991, others by Jeffco.
Cary’s father moved to the Adirondacks area of New York State in the year 1845. In 1874, Brandreth asked Cary to make him 24 chairs with slatted backs, plain turned legs, and splint seats in a traditional style. Cary may have made some of the rustic furniture in the cottages at Brandreth Park.
James Evanson has been at the forefront of the “functional art” movement around the world. His work has travelled worldwide since his first exhibition in 1979 at the Art et Industrie Gallery in New York. For the Memphis Collection in Milan, new work was created just for the occasion. The “Lighthouse” lamps gained international acclaim and became an icon of the 1980s.
Harry Bertoia was a sculptor, printmaker, jeweller, and furniture designer. He was born in San Lorenzo, Udine, and worked in the United States professionally. During World War Two he worked with Ray and Charles Eames on moulded-plywood technology. He worked primarily as a sculptor from the mid-1950s onwards. His sculpture was prominently featured in many of Eero Saarinen’s buildings.
Oscar Onken (1858 – 1948) was an American entrepreneur. He was professionally active in Ohio. Onken was a prominent businessman and philanthropist. Impressed with the Gustav Stickley and Austrian stands at the 1904 St. Louis ‘Louisiana Purchase Exposition,’ he founded The Shop of the Crafts in Cincinnati in 1904.
Alessandro Mendini (b.1931) played an important part in the development of Italian, Postmodern, and Radical design. He was co-founder of Studio Alchymia (with Alessandro and Adriana Guernero) in 1976. He was awarded several international prizes, including the Compasso d’Oro in 1979, 1981, and 2014. In 2011, he was awarded with the title Doctor Honoris Causa of the Ecole Normale Supérieure de Cachan.
Feiz’s work has received numerous awards and has been featured in exhibitions and publications worldwide. The overriding inspirations for Feiz’s work can be summed up by: Clarity, concept and context. Feiz has developed several project in collaboration with Artifort, including the Extens, Bras and Beso chair family.
He was an apprentice in the studio of Giovan Battista Gianotti, painter, furniture designer, and decorator; in 1921, opened Bot- tega di Pietro Chiesa, Milan; in 1927, (with Gio Ponti, Michele Marelli, Tomaso Buzzi, Emilio Lancia, and Paolo Venini) founded Il Labirinto, which produced high-quality glassware.
From 1922 to its close in 1931, he was a member of the Devétsil group and editor of the compendium Zivot II and journal Disk; in 1922, he worked in the office of architect Josef Gocar. In 1923, he set up his own office in Prague; was the Bauhaus representative in Czechoslovakia. He was a friend of Teige and the leading architect of the Devétsil group.
He worked for various firms in Italy and Yugoslavia. He received a patent for a bookcase-component system. Clients included Ferro & Lazzarini (glassware) and Italianline. He was best known for his lighting in glass and a mushroom-shaped table lamp in marble; became a member of ADI (Associazione per il Disegno Industriale); was author of Venini Glass (1990) and the manager of an art auction house.