When you serve wine in a decanter or carafe rather than directly from the bottle, you can completely appreciate its full potential, but why? The wine can oxygenate and aerate, allowing the wine to breathe after being sealed in a bottle for so long. A wine decanter has a reputation for being a formal and refined means of serving wine. However, this isn’t always the case.
Blenko established the first American factory to produce sheet glass for stained glass windows. Blenko’s early successes include providing glass for St. Patrick’s Cathedral in New York City. The White House has a collection of Blenko table ware, used periodically. Wayne Husted pioneered the concept of “architectural scale” designs. Blenko’s “Historic Period” begins with Anderson in 1946 and includes work of Nickerson up to 1974.
Alfredo Barbini, a descendant of glassmakers from the early 15th century, studied at Abate Zanetti (design school at Murano glass museum) from age ten; in 1930, began studying at Cristalleria, Murano, becoming a maestro; became primo maestro at Martinuzzi and Zecchin; worked with Cenedese in the late 1940s
Motzfeldt is best known for her glass creations. Her work is on show at the National Museum of Art, Architecture, and Design in Oslo, the Victoria and Albert Museum in London, the Kunstindustrimuseum in Copenhagen, the Nationalmuseum in Stockholm, and the Frauenau Glass Museum in Germany (donation Wolfgang Kermer).
Etsuko Nishi is a Japanese Glass Designer. She is a leading expert in pâte de verre, one of the oldest and most difficult glass-making forms. The desired shape is first made of clay, which is used as the basis for the mould. The glass powder is then mixed with a special type of paste, and the mixture is then placed in the mould and then fired.
Murano glassware was historically decorated with opulent rubies and gold and fanciful forms in vibrant colours. He hired freelance designers like Martinuzzi and Fulvio Bianconi regularly. Gio Ponti from 1927, Carlo Scarpa from 1932, Eugene Berman from 1951, Ken Scott from 1951, Franco Albini from 1954, and Massimo Vignelli from 1956 were the designers he commissioned.
His work was shown at 1980 ‘Japan Traditional Crafts Exhibition,’ Tokyo; 1981 and 1990 ‘Glass in Japan,’ Tokyo; 1985 ‘New Glass in Japan,’ Badisches Landesmuseum, Karlsruhe; 1987 ‘The Art of Contemporary Japanese Studio Glass,’ Heller Gallery, New York; 1991 (V) Triennale of the Japan Glass Art Crafts Association, Heller Gallery.