He began his work as an instrument builder for the Bacharach Instrument Company in Pittsburgh. He then moved on to Owens-Illinois Glass Company, where he developed a lifetime interest in glass. He established small laboratories to create new glass batches and fabricate small glass objects while in command of the Owens-Illinois Glass Company milk-bottle plant.
Between 1939-42 and 1946-47, he studied at the University of Michigan, Ann Arbor, Michigan, receiving a bachelor’s degree in design. In 1941 and 1949-51, he studied Cranbrook Academy of Art, Bloomfield Hills, Michigan, receiving a master’s degree in ceramics. In 1945, he was a student at the Brighton School of Art, Brighton, under Nora Braden’s tutelage.
Raami, designed by Jasper Morrison, adds a touch of effortless beauty to any space. Simple, adaptable, and high-quality tableware is framed by careful design that allows the room to take on its own personality. Breakfast, desserts, and cold meals go well in this sea blue Raami bowl. Finland-made pressed glass.
Motzfeldt is best known for her glass creations. Her work is on show at the National Museum of Art, Architecture, and Design in Oslo, the Victoria and Albert Museum in London, the Kunstindustrimuseum in Copenhagen, the Nationalmuseum in Stockholm, and the Frauenau Glass Museum in Germany (donation Wolfgang Kermer).
Etsuko Nishi is a Japanese Glass Designer. She is a leading expert in pâte de verre, one of the oldest and most difficult glass-making forms. The desired shape is first made of clay, which is used as the basis for the mould. The glass powder is then mixed with a special type of paste, and the mixture is then placed in the mould and then fired.
Murano glassware was historically decorated with opulent rubies and gold and fanciful forms in vibrant colours. He hired freelance designers like Martinuzzi and Fulvio Bianconi regularly. Gio Ponti from 1927, Carlo Scarpa from 1932, Eugene Berman from 1951, Ken Scott from 1951, Franco Albini from 1954, and Massimo Vignelli from 1956 were the designers he commissioned.
His work was shown at 1980 ‘Japan Traditional Crafts Exhibition,’ Tokyo; 1981 and 1990 ‘Glass in Japan,’ Tokyo; 1985 ‘New Glass in Japan,’ Badisches Landesmuseum, Karlsruhe; 1987 ‘The Art of Contemporary Japanese Studio Glass,’ Heller Gallery, New York; 1991 (V) Triennale of the Japan Glass Art Crafts Association, Heller Gallery.
Between 1890 and 1914, the École de Nancy, or Nancy School, was a group of Art Nouveau artisans and designers based in Nancy, France. The furniture designer Louis Majorelle, the cabinet maker and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the Daum crystal factory were important contributors.
She worked on the editorial staff of The Building Manual from 1944 to 1955. She was a crucial figure in Borge Mogensen’s research on the standardisation of consumer product sizes, and she collaborated with him frequently. They created the Boligens Byggeskabe (BB) and resund cabinet-storage systems in 1957.
Lütken was the principal designer at Kastrup & Holmegard Glasverk from 1942 to 1945, where he adopted his predecessor Jacob Bang’s Modern shapes. In the 1950s, he implemented considerable improvements in manufacturing and aesthetic at Holmegard, inspired by the Triennali di Milano. His pieces featured fluid forms in light-coloured glass, some of which had satin-finish etching. He used heated metal to sculpt created glass.