Kosta Boda, for much of its early life, this famous Swedish glassmaking company’s production centred on drinking glasses, chandeliers, and window panes. However, in the late nineteenth century, with the employment of designers such as Alf Wallander and Gunnar Wennenberg, a more concerted design policy emerged, resulting in more fashionable, Art Nouveau-inspired products.
Sigurd Persson (1914–2003) was a Swedish sculptor, blacksmith, and professor who is regarded as one of the twentieth century’s most influential Swedish designers. Growing up in a goldsmith family, Persson founded his studio in Stockholm in 1942. Throughout his long career, he crafted objects in various materials ranging from metal to glass to plastic.
Benny Anette Motzfeldt (1909-1995) was a graphic artist, glass designer, and sculptor from Norway. Biography Benny Anette Berg Motzfeldt was born at Levanger in Trøndelag, Norway. She was Benny Marie Dahl’s daughter (1878–1955) and physician Andreas Berg Nilssen (1876–1952). She attended the Norwegian National Academy of Craft and Art Industry
Riihimäki Glass was a Finnish glass factory. The factory, established in 1810 for the production of domestic glassware, began production of window glass in 1919. It purchased various small factories, including the factory in which the Finnish Glass Museum is located today. After buying the Kaukalahti glassworks in 1927, Riihimaki became the largest glass factory in Finland.
Well crafted and masterfully designed glassworks have become one of Swedish design’s most recognisable and sought-after products. Since World War II, both in terms of design and production, Orrefors Kosta Boda and numerous other speciality glassmakers have gained Sweden a worldwide reputation for quality and sophistication. But, despite the fame
Léon Ledru (1855-1926) was a French glassmaker and designer. He was the manager of the design department of the Cristalleries du Val-Saint-Lambert in Belgium for 38 years. Through the work the firm showed at the 1897 Brussels ‘Exposition Internationale,’ he stimulated interest in avant-garde design.
Etsuko Nishi is a Japanese Glass Designer. She is a leading expert in pâte de verre, one of the oldest and most difficult glass-making forms. The desired shape is first made of clay, which is used as the basis for the mould. The glass powder is then mixed with a special type of paste, and the mixture is then placed in the mould and then fired.
The Musée des Arts Décoratifs (Museum of Decorative Arts) is a museum dedicated to the exhibition and conservation of decorative arts. Located at 107 Rue de Rivoli in the city’s 1st arrondissement, the museum occupies the northwest wing of the Palais du Louvre, known as the Pavillon de Marsan (Marsan Pavilion). With more than one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe.
Harvey Littleton was an American glassware designer. He was born in Corning, New York. He was professionally active in the USA and Britain. Harvey Littleton Glass as a medium for artistic expression Between 1939-42 and 1946-47, he studied at the University of Michigan, Ann Arbor, Michigan, receiving a bachelor’s degree
Willy Johansson was a (1921- 1993) Norwegian glassware designer. Between 1939-42, he studied Statens Handvaerks -og Kunstindustriskole Oslo. His father was at the Hadelands Glassverk, Jevnaker, where Johansson joined the glassmaking workshop in 1936. He was best known for the white rim on his clear or smoked glasswares. Willy Johansson.