He was active as an exhibition designer, designed 1978 ‘Peter Behrens und die AEG’ exhibition, Berlin; 1978 ‘Carrozzeria Italiana’ exhibition, Turin and Rome; 1981 ‘Identité Italienne,’ Centre Georges Pompidou, Paris; 1983 ‘Alexander Calder’ exhibition, Turin; 1984 ‘Italian Design,’ Stuttgart and Tokyo; 1984 ‘Venti Progetti per il futuro del Lingotto,’ Turin; 1986 ‘Futurismo e Futurismi,’ Venice. Industrial design clients included B&B Italia, Fiat, IBM, Molteni, Unifor, Missoni, and Marotto.
Gunilla Jung was a glass and lighting artist and Silversmith. She designed glassware for Karhula (later Iittala) in the 1930s at the Institute of Applied Arts in Helsinki. Maybe best known for her pioneering lighting projects, such as in Helsinki’s Savoy Theatre.
Taito created her first silver designs and, later in the 1930s, others by Viri and Kultaseppät. She worked with Frans Nykänen, who at varying times was a director at both silversmithies.
Between 1893-96, he travelled to America and worked as a mason and floor layer. He saw the work of the Chicago School, including William Le Baron Jenny, Burnham and Root, and Louis Sullivan. He settled in Vienna in 1896 and began to write and work as a designer and architect, turning away from the Vienna Sezession style and abandoning all decoration and ornamentation
Studio Más, known for designing products and furniture that are simple yet unique, released their Lamp Más in 2018. Created especially for the 2018 Young Retro Seoul Design Festival, Lamp Más was inspired by analogical behaviour and retro-like colour and shape and designed to have a beautiful balance between the pull switch and the lamp body.
This sofa is designed in a so-called minimalist style that is basic and unadorned. Throughout the late 1980s, this emergent style had a significant impact on design in Europe. The sofa in question results from a significant collaboration between a talented young designer and a manufacturer committed to promoting new design.