Finnish Design has contributed significantly to the country’s economy and international identity. This beautifully conceived study examines the influence of Finnish modernism and its essential characteristics. The book extensively demonstrates how architecture works in the tension between art and business. Numerous photographs, posters, and illustrations depict every conceivable element of Finnish design’s rich diversity.
Tias Eckhoff (1926 – 2016) was a well-known industrial designer in Norway. His production was constrained, but many of his products have endured as timeless design classics. In addition to the design of RBM Ana, RBM Bella, and Low-back Bella, he was also responsible for the famous Maya cutlery and Glohane tableware, to name a few of the solid works that are well-established in Norwegian design history.
After the second world war, Jens Harald Quistgaard was apprenticed in the Georg Jensen Solvsmedie in Copenhagen. He has experimented with various media such as wood, metal, glass, steel and ceramics. Ted Nierenberg, the founder of Dansk International, noticed him because of his distinctively Danish craft aesthetic.
We have had a lot of Danish design recently, so it’s no surprise that we turn to Louise Campbell’s work. Born in Copenhagen to a Danish father and an English mother, Campbell inherited a ” combination of Scandinavian rationalism and femininity, ” which can be seen in its design of furniture and objects that emphasise functionality, material technology and complex forms.