Pukebergs Glassworks is a glasswork in Nybro, Sweden. Glassblowing specialists from the glassworks in Kosta CW Nyström and JE Lindberg started the mill in 1871. They acquired land from Jonas Bergstrand, a farmer from Madesjö parish, who owned the land at Pukeberg.
Nyström eventually acquired sole ownership of the glassworks. When Nyström had to declare bankruptcy in 1894, it was purchased by Arvid Böhlmarks Lampfabrik in Stockholm, which had been the mill’s primary customer for many years. After a fire in 1893, a new building was erected with modern equipment. In the 1890s, the mill grew to be one of the country’s major glassworks, employing over 100 people. During the years 1905–1930, while the engineer Erik Löthner was in charge, there was a further development with substantial exports. In 1913, new glasswork was constructed.
Pukeberg’s first products were primarily bottles and home glass. After that, chimneys, lamp domes, and oil burners for kerosene lights and other decorative glassware were produced, and Böhlmark made a lot of money. Pressed glass was also made early on (plates, plates, bowls, drinking glasses, wine glasses, sugar and cream bowls, and candlesticks).
Pukeberg Glassworks on 1stDIBS
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
More on Glassware
Murrine ancient glass technique – design dictionary
When a glass cane is cut into thin cross-sections, coloured patterns or images created in the cane are revealed as murrine. One well-known design is the flower or star shape, which is known as millefiori when used in large quantities.
What is the difference between a wine decanter and carafe? 🍷
When you serve wine in a decanter or carafe rather than directly from the bottle, you can completely appreciate its full potential, but why? The wine can oxygenate and aerate, allowing the wine to breathe after being sealed in a bottle for so long. A wine decanter has a reputation for being a formal and refined means of serving wine. However, this isn’t always the case.
Quezal an American glassware company
Martin Bach and Thomas Johnson, Tiffany’s former glass mixer and foreman, started Quezel Art Glass and Decorating in Brooklyn in 1901. Many pieces of lustrous and ‘favrile’ glassware were manufactured by Bach and Johnson.
William Blenko (1854 – 1926) and Blenko Glassware
Blenko established the first American factory to produce sheet glass for stained glass windows. Blenko’s early successes include providing glass for St. Patrick’s Cathedral in New York City. The White House has a collection of Blenko table ware, used periodically. Wayne Husted pioneered the concept of “architectural scale” designs. Blenko’s “Historic Period” begins with Anderson in 1946 and includes work of Nickerson up to 1974.
Orrefors Glasbruk a Swedish glassware manufacturer.
Orrefors Glasbruk is a Swedish glassware manufacturer. An ironworks was established in 1726 on the property of Halleberg ( the Orrefors estate), Socken, Småland.
Masakichi Awashima (1914 – 1979) Japanese Glassware Designer
After studying design at the Japan Art School in Tokyo, Awashima worked for artisan Kozo Kagami, who had studied Western glass methods in Germany from 1935 to 1946.
Everything Old is New Again – Glass Making Techniques
Manufacturers and designers recreated some ancient Egyptian and Roman glassmaking processes in the early 20th century.
Pavel Hlava (1924 – 2003) Czech Glassware Designer
He was best known for his cut and engraved glass. Hlava enhanced a number of innovative technologies, both in terms of conception and manufacturing. These featured melted silver leaf and other materials, as well as skeleton moulds for shaping glass.
Hiroshi Yamano – Exquisite Japanese Glass Designs
Kiroshi Yamano is a Japanese Glass Designer. He studied at the Tokyo Glass Crafts Institute to 1984 and Rochester Institute of Technology, Rochester, New York, to 1989.
Aimo Okkolin (1917 – 1982) Finnish Glass Designer
He made deeply cut crystal objects that were often coloured. He used a lot of nature subjects. The most famous is “Lumpeenkukka”. This glass object, designed by Okkolin in 1960, was Riihimäki Lasi’s best-selling single object. Okkolini’s glassware was presented to several foreign heads of state. He continued working for Riihimäki Glass until 1976 when glassblowing by hand was stopped. After that, he worked as a freelance designer. He was granted a state artist’s pension in 1980.
Riihimaki Glass – Finnish Glass Factory
Riihimäki Glass was a Finnish glass factory. The factory, established in 1810 for the production of domestic glassware, began production of window glass in 1919. It purchased various small factories, including the factory in which the Finnish Glass Museum is located today. After buying the Kaukalahti glassworks in 1927, Riihimaki became the largest glass factory in Finland.
Amen Glasses – what are they?
‘Amen’ glasses gained their name from the Jacobite verses engraved on them, which invariably end with the word Amen.
Lino Tagliapietra (b.1934) Italian Glassworker and Teacher
From 1956, Tagliapietra taught glassmaking with Archimede Seguso and Nane Ferro; 1966—68, designed glass for Venini, Murano; until 1968, for Murrina; from 1968, taught glassmaking at Haystack School and Pilchuck School, Stanwood, Washington.
Arne Jon Jutrem (1929 – 2005) Norwegian Designer
Jutrem was educated at the Norwegian School of Crafts and Design 1946-1950, and at the same time received painting lessons from Carl von Hanno. Later studies with Fernand Léger in Paris 1952-53 and with Chrix Dahl 1954-55. He made his debut as a painter at the Autumn Exhibition in 1950.
Gunnel Gustafsson Nyman (1909 – 1948) Finnish glass and textile designer
Nyman worked for all the great Finnish glass manufacturers of the 20th century: Riihimaki from 1932—47, Nuutajarvi-Notsjo from 1946—48, and Karhula from 1935—37 (and at littala from 1946—47). She designed for both production and studio glass.
Barbini Glasswork Italian Glass Manufacturers
Alfredo Barbini, a descendant of glassmakers from the early 15th century, studied at Abate Zanetti (design school at Murano glass museum) from age ten; in 1930, began studying at Cristalleria, Murano, becoming a maestro; became primo maestro at Martinuzzi and Zecchin; worked with Cenedese in the late 1940s
Clyne Farquharson (1906 – 1978) British glassware designer
In the 1930s, Farquharson was a major contributor to the design of British glassware. His documented career in glass began in 1935 with Arches, an engraved design on glass produced by John Walsh Walsh, where he produced other cut-crystal glassware as its head designer 1935—51.
Sam Herman (1936 – 2020) American Glass Designer & Teacher
He studied sculpture at the University of Wisconsin at Madison, under Leo Steppern; in 1966, glass making with Harvey Littleton and Dominick Labino; in 1966, Edinburgh College of Art; in 1967, Royal College of Art, London.
René Lalique (1860 – 1945) French goldsmith and glassmaker
Artisan in glass and creator of family firm Cristal Lalique René Lalique was a French
Burmese Glass – Opaque Satin Glass
Burmese glass (1885) was an almost opaque satin glass. Its shading was from salmon pink at the top to pale yellow below. It was attractive mostly when illuminated and was much used in fairy lamps and occasionally in chandeliers and candelabra.
Mount Washington Glass – American Glassware Manufacturer
Mount Washington Glass is an American glassware manufacturer. It is located in South Boston and New Bedford, Massachusetts.
Ulla Forsell (b.1944) Swedish Glassware Designer
Ulla Forsell was born in 1944 and studied at the College of Art and Design
Dominick Labino (1910 – 1987) American glassware designer and ceramicist
He began his work as an instrument builder for the Bacharach Instrument Company in Pittsburgh. He then moved on to Owens-Illinois Glass Company, where he developed a lifetime interest in glass. He established small laboratories to create new glass batches and fabricate small glass objects while in command of the Owens-Illinois Glass Company milk-bottle plant.
Harvey Littleton (1922 – 2013) American glassware designer
Between 1939-42 and 1946-47, he studied at the University of Michigan, Ann Arbor, Michigan, receiving a bachelor’s degree in design. In 1941 and 1949-51, he studied Cranbrook Academy of Art, Bloomfield Hills, Michigan, receiving a master’s degree in ceramics. In 1945, he was a student at the Brighton School of Art, Brighton, under Nora Braden’s tutelage.
Wilhelm Wagenfeld (1900 – 1990) German architect and industrial designer
He was an assistant lecturer at the Bauhaus in Weimar from 1922 to 1929, where he primarily designed lighting fixtures.
Pukebergs Glassworks – Swedish Glass Factory
Glassworks in Kosta CW Nyström and JE Lindberg started the mill in 1871. They acquired land from Jonas Bergstrand, a farmer from Madesjö parish, who owned the land at Pukeberg
Klaus Moje (1936 – 2016) German Glass Designer
Around 1975, Moje began cutting the rods into thin wafers or strips and fusing them in a kiln. The pieces would then be cut again and re-fused to create rhythmic patterns of vibrant colour. In 1976, Moje returned to Hamburg after living in Danzinger Strasse.
Ingeborg Lundin (1921 – 1991) Swedish Glassware Designer
Ingeborg Lundin (1921 – 1991) was a Swedish Glassware Designer. Between 1941 – 1946 she studied at Konstaackskolan and Tekniska Skolan, Stockholm.
Iittala Raami 12-Ounce Glass Bowl, Sea Blue, by Jasper Morrison
Raami, designed by Jasper Morrison, adds a touch of effortless beauty to any space. Simple, adaptable, and high-quality tableware is framed by careful design that allows the room to take on its own personality. Breakfast, desserts, and cold meals go well in this sea blue Raami bowl. Finland-made pressed glass.
Jean Luce (1895 – 1964) French ceramicist and glassware designer
French designer. He worked primarily in ceramics, but also designed for glass and gold. His ceramics, in an Art Deco style, were manufactured in Limoges
Kaj Franck Finnish textile and glassware designer
Kaj Franck was a Finnish textile and glassware designer and ceramicist. He was born in Viipuri, Finland. Often referred to as the “conscience of Finnish design,”
Benny Anette Motzfeldt (1909-1995) Norwegian graphic artist, designer
Motzfeldt is best known for her glass creations. Her work is on show at the National Museum of Art, Architecture, and Design in Oslo, the Victoria and Albert Museum in London, the Kunstindustrimuseum in Copenhagen, the Nationalmuseum in Stockholm, and the Frauenau Glass Museum in Germany (donation Wolfgang Kermer).
Etsuko Nishi (b.1955) Japanese Glass Designer
Etsuko Nishi is a Japanese Glass Designer. She is a leading expert in pâte de verre, one of the oldest and most difficult glass-making forms. The desired shape is first made of clay, which is used as the basis for the mould. The glass powder is then mixed with a special type of paste, and the mixture is then placed in the mould and then fired.
Paolo Venini (1895 – 1959) Italian Glassware Designer
Murano glassware was historically decorated with opulent rubies and gold and fanciful forms in vibrant colours. He hired freelance designers like Martinuzzi and Fulvio Bianconi regularly. Gio Ponti from 1927, Carlo Scarpa from 1932, Eugene Berman from 1951, Ken Scott from 1951, Franco Albini from 1954, and Massimo Vignelli from 1956 were the designers he commissioned.
Teruo Yamada (b.1945) Japanese Glassware Designer
His work was shown at 1980 ‘Japan Traditional Crafts Exhibition,’ Tokyo; 1981 and 1990 ‘Glass in Japan,’ Tokyo; 1985 ‘New Glass in Japan,’ Badisches Landesmuseum, Karlsruhe; 1987 ‘The Art of Contemporary Japanese Studio Glass,’ Heller Gallery, New York; 1991 (V) Triennale of the Japan Glass Art Crafts Association, Heller Gallery.
École de Nancy – Art Nouveau artisans and designers
Between 1890 and 1914, the École de Nancy, or Nancy School, was a group of Art Nouveau artisans and designers based in Nancy, France. The furniture designer Louis Majorelle, the cabinet maker and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the Daum crystal factory were important contributors.
Yuri Masaki Japanese glass designer
Yuri Masaki is a Japanese glass designer she was president of the Masaki Glass and Art Studio. Her work was included in 1987 and 1990…
Vicke Lindstrand (1904- 1983) Swedish glassware designer
He worked at Kariskrona Porslinsfabrik from 1935 to 1936; at Upsala-Ekeby from 1936 to 1950 (as art director from 1943 to 1950) Kosta Boda glassworks from 1950 to 1973, where he was design director while also maintaining his studio in Arhus. Often, his free-form work was engraved.
Grethe Meyer (1918 – 2008) Danish architect, & designer of furniture & glassware
She worked on the editorial staff of The Building Manual from 1944 to 1955. She was a crucial figure in Borge Mogensen’s research on the standardisation of consumer product sizes, and she collaborated with him frequently. They created the Boligens Byggeskabe (BB) and resund cabinet-storage systems in 1957.
Per Lütken (1916 – 1988) Danish Glassware Designer
Lütken was the principal designer at Kastrup & Holmegard Glasverk from 1942 to 1945, where he adopted his predecessor Jacob Bang’s Modern shapes. In the 1950s, he implemented considerable improvements in manufacturing and aesthetic at Holmegard, inspired by the Triennali di Milano. His pieces featured fluid forms in light-coloured glass, some of which had satin-finish etching. He used heated metal to sculpt created glass.
Sigurd Persson (1914 – 2003) Swedish metalworker & glassware designer
Sigurd Persson (1914–2003) was a Swedish sculptor, blacksmith, and professor who is regarded as one of the twentieth century’s most influential Swedish designers. Growing up in a goldsmith family, Persson founded his studio in Stockholm in 1942. Throughout his long career, he crafted objects in various materials ranging from metal to glass to plastic.
Kosta Boda Swedish glass manufacturer
Kosta Boda, for much of its early life, this famous Swedish glassmaking company’s production centred on drinking glasses, chandeliers, and window panes. However, in the late nineteenth century, with the employment of designers such as Alf Wallander and Gunnar Wennenberg, a more concerted design policy emerged, resulting in more fashionable, Art Nouveau-inspired products.
Finn Lynggaard Danish ceramicist and glassware designer
In 1958, he established his own workshop, making him a pioneer in the field of Danish studio glass. Deeply coloured flower designs on translucent backgrounds are a signature of his glasswork.
Willy Johansson (1921- 1993) Norwegian Glass Designer
His father was at the Hadelands Glassverk, Jevnaker, where Johansson joined the glassmaking workshop in 1936. He was best known for the white rim on his clear or smoked glassware.
Dale Chihuly (b. 1941) American Glass Designer
Dale Chihuly is an American Glass Designer born in Tacoma, Washington. He is one of the most respected glass artists in the United States.
Timo Sarpaneva (1926 – 2006) Finnish Glass Designer
He also had a lot of success in the related fields of sculpture, painting, and graphic design. He could work with a lot of different materials, such as porcelain, iron, and plastic.
Sigmund Pollitzer (1913 – 1983) British painter, decorative glass designer and writer
Sigmund Pollitzer (1913 – 1983) was a painter, decorative glass designer, and writer from the United Kingdom. He was born in the city of London.
Jean Sala (1895 – 1976) Spanish glassmaker and designer
He was primarily taught by his glassblower father and is now regarded as one of the most accomplished Art Deco glass artists.
Ajeto Glassworks – Czech Republic
Ajeto Glassworks – Czech Republic. Borek Spek, a renowned Czech designer, and Petr Novotny, a talented young glassblower, formed this glass company in 1989
Simon Gate (1883 – 1945) Swedish artisan and designer
Gate began his long affiliation with the Swedish glassmaking firm Orrefors in 1916. He worked as an artistic director and built the firm foundation for Sweden’sSweden’s substantial modern glass industry, alongside Edvard Hald, Vicke Lindstrand, Knut Bergqvist, and others.
Flavio Poli (1900 – 1984) Italian designer of glassware
Flavio Poli (1900 – 1984) was an Italian designer of glassware. He was born in Chioggia and worked in Venice professionally. He was born in 1900 and studied art at the Istituto d’Arte di Venezia before working as a ceramicist.
Swedish Glass Design is inventive and well crafted
Well crafted and masterfully designed glassworks have become one of Swedish design’s most recognisable and
Léon Ledru (1855 -1926) French glassmaker
Léon Ledru (1855-1926) was a French glassmaker and designer. He was the manager of the design department of the Cristalleries du Val-Saint-Lambert in Belgium for 38 years. Through the work the firm showed at the 1897 Brussels ‘Exposition Internationale,’ he stimulated interest in avant-garde design.
The Musée des Arts Décoratifs in Paris
The Musée des Arts Décoratifs (Museum of Decorative Arts) is a museum dedicated to the exhibition and conservation of decorative arts. Located at 107 Rue de Rivoli in the city’s 1st arrondissement, the museum occupies the northwest wing of the Palais du Louvre, known as the Pavillon de Marsan (Marsan Pavilion). With more than one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe.
Webb Corbett British glassware manufacturer
Webb Corbett is a British glassware manufacturer, located in Stourbridge.Irene Stevens joined Webb Corbett as a designer in 1946. L. Green designed its 1958 Bouquet range of cut glass. David Marquess of Queensberry was retained as a consultant designer in the early 1960s.
You may also be interested in
Well crafted and masterfully designed glassworks have become one of Swedish design’s most recognisable and sought-after products. Since World War II, both in terms of design and production, Orrefors Kosta Boda and numerous other speciality glassmakers have gained Sweden a worldwide reputation for quality and sophistication.
Borek Spek, a renowned Czech designer, and Petr Novotny, a talented young glassblower, formed this glass company in 1989 after collaborating artistically for several years, assembling a specialist team of technicians and artists to explore the possibilities of innovation in the area.
Guillaume Saalburg was a French glassworker and engraver he was professionally active in Paris. He trained in a glass engraver’s workshop. He worked as an architect and designer for business and domestic clients; collaborated with Philippe Starck, Jean-Michel Wilmotte, Gilles Derain, Richard Moyer, and Andree Putman: participated in the design of the hall of TV company Canal Plus.
- Click to share on Facebook (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)