Artificial environment more human
Frogdesign is a global design studio with offices in Altensteig, Germany, Campbell, California (since 1982), and Tokyo (since 1986). Frogdesign was founded in 1969 by Hartmut Esslinger (the frog in the firm’s name is an acronym for the Federal Republic of Germany). Frogdesign made a global impact in the 1980s by virtue of its products’ visual expressiveness and ergonomic success, traits that attracted an extensive and prestigious client list—Apple Computer, American Telephone and Telegraph (no. 400), RCA, Eastman Kodak, Polaroid, Motorola, and General Electric in the United States; AEG, ERCO, Koenig & Neurath, Philips, and Louis Vuitton in Europe; and Matsushita, NEC, Olympus, Seiko and Sony Corporation in Japan.
Hartmut Esslinger (b. 1944) Biography
Esslinger studied electrical engineering at the University of Stuttgart and industrial design at the Fachhochschule Schwabisch Gmund. He won the German Bundespreis Gute Form for a portable radio in 1969.
Wega, a West German electronics company (owned by Sony since 1975), was his first client, for whom he designed colour televisions, stereos, and accessories in 1971, earning the company a reputation for sleek, innovative electronics design; the line also brought Esslinger additional commissions, including the Sony Trinitron television. The off-white Apple II personal computer (no. 383) was featured on the cover of Time magazine as “design of the year” in 1984, with the companion Scribe and Imagewriter printers later praised for their good design by Industrial Design magazine. Frogdesigns are calculated as user experiences, from snub-snouted frollerskates for Indusco to an aggressive black computer monitor for Jobs’s NeXT, Inc. “The goal of design is to make our artificial world more human,” Esslinger remarked. My objective has always been and will continue to be to design mainstream objects as works of art.
Hiesinger, K. B., & Marcus, G. H. (1995). Landmarks of twentieth-century design: an illustrated handbook. Abbeville Press.
More German Designers
Million Mark Note – Design Classic
The Bauhaus was the most well-known design school of the 20th century. Herbert Bayer created notes in denominations of one million, two million, and two billion. The designs exemplify the ideology of hardline Modern Movement graphics.
Friedrich Adler (1878 – 1942) German sculptor and designer
First designer to work with bakelite Friedrich Adler (1878 – 1942) was a German designer, educator, and artist. He was well-known for his work in the Art Nouveau and Art Deco genres of metals design. He was also the first to employ bakelite in his designs. He created his designs with a wide range of things and materials.
Margaret Leischner (1908 – 1970) German textile designer
She began teaching weaving at the Bauhaus in 1931. She worked at the Dresdener Deutsche Werkstatten in 1931, designing woven textiles, and was the head of the weaving department at the Berlin Modeschule from 1932 to 1936. She worked as the head designer for Gateshead, a British fabric manufacturer.
AEG (Allgemeine Elektrizitäts Gesellschaft) (established 1883)
Engineer Emil Rathenau founded AEG as the Deutsche Edison Gesellschaft für angewandte Elektrizitäts (DEG) two years after seeing Edison’s lighting at the Paris Exposition Internationale de l’Electricité in 1881.
Peter Behrens (1868 – 1940) – German architect and designer
Peter Brehens (1868 – 1940) was a German graphic artist, architect and designer. He studied at the Karlsruhe and in Düsseldorf and Munich.
Anchor Blocks – 19th Century construction toy
Anchor Blocks were a German system of building blocks that were popular as a children’s construction toy in the late nineteenth and early twentieth centuries, notably in Europe. Dr F. Ad. Richter in Rudolstadt, Germany, began developing and manufacturing the system in 1879. The concept was based on the FROEBEL block system, which significantly impacted Frank Lloyd WRIGHT’s design philosophy.
Theodor Bogler (1897-1968) German ceramicist and designer
Theodor Bogler (1897 – 1968) studied at the Bauhaus and the University of Munich. He designed a 1923 mocha machine in ceramics for serial production. His earthenware kitchen containers by Velten-Vordamm ceramic factory were shown at the Bauhaus Exhibition.
Frei Otto (1925 – 2015) German Architect designs that soared
The late German architect Frei Otto’s work can be seen all over the world in pavilions and sports stadiums. His impact on the Olympics is huge, from the design of Rio’s Maracana stadium to the tent-like roofs he made for Munich in 1972. He influenced a generation of British architects, including Norman Foster, Michael Hopkins and Nicholas Grimshaw. Otto’s influence can be seen in the lightweight fabric roof of Lord’s cricket ground (1987) and the bubble-like domes of the Eden Project (2000).
Hermann Junger (b.1928) Bauhaus influenced jewellery
Hermann Junger was one of the best goldsmiths in Germany. His creative jewellery had a big impact not only in Germany, but also all over Europe and the U.S. He studied at the Staatliche Zeichenakademie, Hanau.
Christian Dell (1893 – 1974) German metalworker designer
Christian Dell (1893–1974) was a German silversmith. Dell was born in Hesse’s Offenbach am Main. In the 1920s, Dell ran the metal workshop at the Bauhaus University, and his designs are, in line with the Bauhaus style, characterised by modern shapes and functionality. After his successful stint as an industrial designer, Dell returned in the late 1940s to his original profession as a silversmith.
Erna Zarges-Dürr (1907-2002) – German silversmith
Erna Zarges-Dürr (1907-2002) was a German silversmith. She was professionally active Pforzheim, Leipzig, Berlin. and Stuttgart. Between 1924-27, she trained at Bruckmann und Söhne, Heilbronn, as the first women in the silversmiths’ department. From 1927, she studied at the Kunstgewerbeschule, Pforzheim, under Theodor Wende and others.
Hermann Zapf (1918 – 2015) German Typographer and Calligrapher
Hermann Zapf (1918 – 2015) was born and educated in Nuremberg. Gudrun Zapf-von Hesse, a calligrapher and typeface designer, was his wife. Palatino, Optima, and Zapfino are some of the typefaces he developed.
Trude Petri-Rabin (1906 – 1989) German Ceramicist
From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).
Otto Zapf German product and furniture designer
Otto Zapf has created an essential system of furniture designs. Including the Zapf Office System by Knoll and 7500 workstations by Pacific Telesis. He and Dieter Rams designed their first furniture in the 1960s and 1970s.
Franz Rickert (1904-1991) German Silversmith
He worked as a silversmith from 1926 and became one of the most important silversmiths in Munich and an outstanding enameler. 1935-72, he taught at the Staatsschule (later Akademie) fur angewandte Kunst in Munich. In the 1950s and 1960s, he designed numerous religious objects.
Ferdinand Kramer (1898 – 1985) German Architect and Designer
Kramer’s father was the owner of the most well-known of Frankfurt hat shops. In 1916, immediately after school, Kramer was drawn into military service and remained a soldier through the end of the First World War. The following year he trained at the Bauhaus for a few months before quitting, disillusioned with the technical level of the training, then began a three-year architectural study in Munich with Theodor Fischer.
Arzberg Porcelain – prestigious German design
Arzberg is regarded as one of the most prestigious porcelain design houses in the world. The definition of good design. Arzberg combines aesthetics, functionality, and durability.
Hermann Gretsch (1895 – 1950) designer for Arzberg
Hermann Gretsch was a German architect, engineer and product designer. In the 1930s, Gretsch worked for the Porzellanfabrik Arzberg.
Konstantin Grcic Unveils – CUP Chair For Plank | 🇩🇪 German Design
For travellers, the benefits of plastic shell suitcases have come to be appreciated. They are extremely light and flexible, yet powerful and good looking. Suitcases made of thin vacuum-formed plastic sheets have completely transformed the product category. As a designer of the furniture, Konstantin Grcic was surprised by this ingenuity and the suitability of the modern chair covers for production and performance.
Herbert Hirche (1910 – 2002) German Industrial Designer
Hirche’s work was also shown at national and international fairs and exhibitions. These include the Milan Triennale in 1957 and Expo 58, the 1958 Brussels World’s Fair. I
Emmy Roth (1885 – 1942) German / Israeli Silversmith
In 1916, she established her workshop in Berlin-Charlottenburg. Her early work was influenced by the Baroque, but her later work was more straightforward, as evidenced by her fruit dish in The Studio, 1929.
Oscar Barnack (1879 – 1936) and the first 35mm camera
The Leica 1, the first functional 35 mm camera, was introduced in Germany in 1925, making photography much more accessible to the general public.
Albert Reimann (1874 – 1971) German metalworker and educator
Albert and his wife Klara Reimann founded the Schülerwerkstatten für Kleinplastik (School for Small Sculpture) in Berlin in 1902. Reimann was a gifted craftsman who created prototypes to produce bronze, copper, silver, gold, and pottery.
FROGDESIGN (1969) German international design firm
Frogdesign made a global impact in the 1980s by virtue of its products’ visual expressiveness and ergonomic success, traits that attracted an extensive and prestigious client list
Wilhelm Wagenfeld (1900 – 1990) German architect and industrial designer
He was an assistant lecturer at the Bauhaus in Weimar from 1922 to 1929, where he primarily designed lighting fixtures.
Klaus Moje (1936 – 2016) German Glass Designer
Around 1975, Moje began cutting the rods into thin wafers or strips and fusing them in a kiln. The pieces would then be cut again and re-fused to create rhythmic patterns of vibrant colour. In 1976, Moje returned to Hamburg after living in Danzinger Strasse.
Herbert Bayer (1900 – 1985) – Universal Typeface – Bauhaus Master
The universal typeface, 1925, was a geometric alphabet based on bar and circle and was designed by Herbert Bayer (1900) to function efficiently in a technological society. Bayer rejected the “archaic and complicated gothic alphabet” which lingered in the most scientifically advanced society of its time, Germany of the first world war period and the postwar era.
Winold Reiss (1886-1953) German artist and designer
Influenced by the international modern art movements that had recently swept across Europe, he blended cubism, which used geometric shapes to create abstract images, and fauvism, which favoured the use of bold colours to suggest shapes, with interest in ethnography to create a unique style of portraiture that sought to reveal the subject more thoroughly than the simple rendering of physical features.
Hugo Leven (1874 – 1956) German Sculptor and Metalsmith
Leven studied at the Kunstgewerbeschule and then at the Düsseldorf Art Academy. He worked in his father Louis Leven’s studio for a time, had numerous contacts with French artists who had a strong influence on him, and quickly became known. Engelbert Kayser hired him as the first employee in his studio. From 1895 to 1904, Leven designed numerous models for Kayserzinn; his works had a lasting influence on the Art Nouveau pewter foundry. He also worked for the Kreuter company in Hanau and other companies that manufactured metal, silver and earthenware, such as B. Koch & Bergfeld and WMF.
WMF – Württembergische Metallwarenfabrik (1853)
The outbreak of the Second World War created significant difficulties during the early stages of restoration, leading to the closure of the NKA (Contemporary Products Department), but by the early 1950s, the company was back on track. Many of Wilhelm Wagenfeld’s WMF creations date from these years.
Michael Boehm (b.1944) German Glassware and Ceramics Designer
Boehm joined Rosenthal in 1966. His limited-edition Reticelli range illustrated his interest in Italian glass by incorporating cotton twist threads in the molten glass-like 17th-century Venetian vessels.
Ludwig Mies van der Rohe (1886 – 1969) German architect and designer
Between 1905 and 1907, he worked as an apprentice to architect and furniture designer Bruno Paul in Berlin, where he studied wooden furniture design. He created furniture for all of his early homes, including the Werner residence.
Carl Hugo Pott (1906 – 1985) – German Metalworker & Silversmith
Carl Pott studied design and metallurgy at technical school in Solingen and Forschungsinitut unf Profieramt für Edelmetalle, Schwäbisch-Gmünd.
The brains and Braun of designer Dieter Rams
The way Dieter Rams tell it good design boils down to something as simple durability. Okay, not durability alone. A Well-designed piece is so self-explanatory that figuring out how to use it as simple as looking at it. And a design develops from the inside out because it involves not only aesthetics but also function.
Josef Albers (1888 – 1976) – German painter, designer, theoretician, and teacher
Josef Albers believed Art, he felt, is seeing, and he believed that his contemporaries had not done a good job of this.
The Designs that Forged an Icon: 100 Years of Braun
Braun’s archive can be seen as a sort of manifesto for meticulous design: from screw-shape to ergonomic button placement, nothing is forgotten. Reduced to their logical conclusion, Braun products are unmatched in their timelessness, the only sign of their age being the electronics within.
A look inside the Box: Josef Albers’ “Formulation: Articulation”
The exhibition is titled after Albers’ last series before his death, and consists of silkscreen prints rather than paintings. Those familiar with Albers’ work will take immediate notice of Albers’ colorful square compositions, as well as a few black and white geometric compositions.
Alfons Bach (1904 – 1999) German Industrial Designer
In New York City, Bach planned the remodelling of Sach’s and the Seneca Textile Building. His work was shown at the Metropolitan Museum of Art in early contemporary industrial art shows. In Stamford, Connecticut, he created his own home in 1938. He oversaw the construction of the Ridgeway Center, one of the country’s earliest shopping malls. In the 1930s, Bach designed tubular steel furniture for the Lloyd Manufacturing Company. Until 1947, they continued to produce his works. These tubular objects are seen to constitute a link between Bauhaus and contemporary design. In 1959, he relocated to Florida. In Delray Beach, he designed the Palm Trail Plaza and the Palm Trail Yacht Club. In 1969, he was the curator of the United States display at the International Industrial Design Exhibition. He created designs for GE, Keystone Silver, Pacific Mills, and Bigelow-Samford. He was the American Designers Institute’s president.
Rasch Brothers German Wallpaper Manufacturer
After WWII, the company maintained its progressive edge with the sale of beautiful wallpapers by designers such as Lucienne Day, Salvador Dal, Shinkichi Tajiri, and Bruno Munari. The firm released their Zeitwande (Timewalls) wallpaper line in 1992, which featured designs by Ron Arad, Ettore Sottsass, Alessandro Mendini, Borek Spek, and Matteo Thun.
Marianne Brandt (1893–1983) German painter designer and metalworker
The modernist German designer Marianne Brandt was one of the few women associated with the Bauhaus to make her reputation outside the traditional arts and crafts sectors related to women such as textiles, weaving and pottery.
Peter Raacke (b.1928) German metalworker and designer
Hessische Metallwerke commissioned Raacke to produce metal cutlery, kitchen equipment, and cookware, most notably his “Mono-a” line (v-33), with silverware available in stainless steel and sterling silver.
Bruno Paul (1874 – 1968) German architect, cabinetmaker, designer, and teacher
Bruno Paul (1874 – 1968) was a German architect, cabinetmaker, designer, and teacher. He was born in Seifhennersdorf. He studied at the Kunstgewerbeschule, Dresden, from 1886 and painting at the Akademie fur Kunst, Munich, under Paul Hocker and Wilhelm von Diez, from 1894.
Tea and coffee set by Marguerite Friedlander
She designed the Hallesche Form tea and coffee set for KPM in 1930, which was a huge commercial success, especially with Trude Petri’s gold rings (1931) decor.
Jugendstil an artistic style
Jugendstil, an artistic style that originated around the mid-1890s in Germany and persisted throughout the first decade of the 20th century. READ MOR
Anni Albers (1899 – 1994) German Textile Designer, artist and teacher
Anni Albers was a German Textile Designer, artist and teacher. She was born in Berlin and was the Wife of Josef Albers.
Otl Aicher (1922 – 1991) German industrial and graphic designer
From 1946 to 1947, Otl Aicher (1922 – 1991) attended the Munich Academy of Fine Arts. He later became closely affiliated with Ulm’s highly influential and radical Hochschule Für Gestaltung after founding a studio there the following year.
Abstract Geometric Bauhaus Prints
When you purchase this item, you get all four prints shown in the main photo. All of our prints are created by a process called Giclée (a French word for “spray’).
Walter Gropius Bauhaus Artwork T-Shirt (Short and Long-Sleeve)
This lovely tee is inspired by the work of the German architect Walter Gropius. He founded the Bauhaus School and, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture.
Walter Gropius (1883 – 1969) is the history of modern architecture
Walter Gropius (1883 – 1969) was an architect born in Germany in the early twentieth century who contributed to the founding of the Bauhaus School. He lived in the United States after 1937 and taught at Harvard University, where he continued to defend the principles of Bauhaus, especially the use of functional materials and clean geometric designs.
Bauhaus Wall Art Print – Herbert Bayer and Walter Gropius
The Bauhaus exhibition of 1923 was the first public presentation of the Bauhaus art movement founded as an art school in 1919. From August 15 to September 30, 1923, it took place at three locations in Weimar and showed works created at the Bauhaus
“Arbeitsrat für Kunst” art and architecture group in Germany
The Arbeitsrat für Kunst (Workers’ Council for Art) was an art and architecture organisation in Germany.
Lilly Reich (1885 – 1947) – German interior designer and furniture and exhibition designer
Lilly Reich (1885 – 1947) was a German interior designer and furniture and exhibition designer.
Ingo Maurer (1932 – 2019) – German industrial designer – Poet of Light
Ingo Maurer was a German industrial designer who specialised in the development of lighting fixtures and installations. “Poet of Light” was his nickname.
Ernst Riegel (1871 – 1939) a German metalsmith
Ernst Riegel 1871 – 1939) was a metalsmith from Germany. He was active in Munich, Darmstadt, and Cologne after being born in Münnerstadt.
Hans Poelzig (1869-1936) German architect and designer
Hans Poelzig was a German architect and designer, he was born in Berlin. Between 1888-95, studied Technische Hochschule, Berlin Charlottenburg and Technische Hocschule, Berlin, under Karl Schäffer. Between 1899-1916, he worked in his own office in Breslau (now Wroclaw, Poland) and, 1900-16, taught at the Kunst- und Kunstgewerbeschule (after 1911, called the Akademe für Kunst und Kunstgewerbe) in Breslau, where he was director from 1903
Table Lamp by Wilhelm Wagenfeld & Carl Jakob Jucker
This object, known as the “Bauhaus lamp,” embodies the essential idea—form follows function—of the influential
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