Jennens & Bettridge: Masters of 19th Century Papier-Mâché

Jennens & Bettridge was a highly regarded English firm known for their innovative work in papier-mâché during the 19th century. After acquiring H. Clay’s Birmingham factory in 1816, they became leaders in producing intricate and beautifully decorated objects. Their London showrooms, notably located at 6 Hallam Street West, Belgrave Square, were focal points for design enthusiasts, and the firm continued to operate until 1864.

One of the firm’s defining moments came with the discovery of a unique painting technique on black papier-mâché by G. Neville in 1831, although he eventually left the company in 1846. In 1847, Jennens & Bettridge further advanced their craft by patenting a method for inlaid decoration. This technique incorporated various luxurious materials, including coloured glass, tortoiseshell, mother-of-pearl, ivory, and even gemstones.

Their craftsmanship reached new heights when they presented their works at the Great Exhibition of 1851. They showcased an array of items that ranged from small, functional pieces like boxes and trays to more extravagant items like a pianoforte, a child’s cot, and an ornately detailed easy chair. The symbolically rich decoration on some of these objects was designed by the noted sculptor John Bell, highlighting the artistic collaborations that elevated their work.

For more detailed historical insight, refer to G. B. Hughes’ contribution in the Concise Encyclopaedia of Antiques, vol. IV, London 1959.

Sources

Fleming, J., Honour, H. (1979). The Penguin Dictionary of Decorative Arts. United Kingdom: Penguin Books.