Dictionaries (Page 12)

Design Dictionary

The design dictionary is an essential tool for any serious discussion on design. It provides a comprehensive and structured foundation for understanding the language of design and its many nuances. With its categorical approach, the dictionary allows designers to communicate their ideas with clarity and precision, facilitating a more effective international discourse on design.

Moreover, the design dictionary serves as a source of inspiration for designers looking to expand their vocabulary and explore new concepts. By offering definitions, examples, and historical context, the dictionary encourages designers to think critically about their work and its place in the broader design landscape. Ultimately, the dictionary is an indispensable resource for anyone interested in design, providing a rich tapestry of ideas and insights that can inform and inspire creative endeavours across all disciplines.

Guilloche design term

The guilloche is a decorative element that encircles a line of bosses with two bands or ribbons intertwined. In the British Regency style, it was particularly well-liked and adopted by furniture designers from Renaissance to the Twenties and Fifties.Read More →

Fujina pottery example

Fujina pottery is made at Matsue, Shimane. 19th-century products include bluish-green tea bowls and white, yellow, or bluish-green domestic pottery. Later urban work promotes folk art.Read More →

Amstelhoek Vase – A Masterpiece of Dutch Ceramic Art

Amstelhoek was a Dutch pottery founded in 1897 by Willem Christiaan Hoeker. It produced dark-coloured vases and bowls with white in-lays, brown vases with blue decorations and small animal-shaped vases with white inlays on darkgrounds. In 1903 it went bankrupt, but was still producing earthenware until 1907, when it was taken over by the majolica tirm Haga, which merged with the larger De Distel plant in 1910.Read More →

Vitruvian Man - featured image

Anthropometrics is a systematic study of human measurement that was increasingly used by designers dealing with design issues involving human movement in the decades following WWII. Their implementation of a more analytical and methodical approach to design problems had a lot in common with the techniques studied at the Hochschule für Gestaltung in Ulm from the mid-1950s to the 1960s, as well as the Design Methods trend.Read More →