While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.
Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice.
In 1899, he became artistic director of Kéramis, Belgian pottery owned by Boch Freres in La Louviere. In c1910, he moved to University City, Missouri, to work for Taxile Doat as a ceramics teacher at the School of Ceramic Art. He went back to France. He belonged to the Société des Artistes Françaises.
Stig Lindberg (1916 – 1982) was a Swedish ceramic, glass, textile, industrial designer, and painter and illustrator. During his long career with the Gustavsberg pottery factory, Lindberg produced whimsical studio ceramics and graceful tableware lines, making him one of Sweden’s most important postwar designers.
He modelled vases (including Columbis and Diana) and figures from 1893 to 1898. (including Holbein and Rembrandt vases). With Cuthbert Bailey and John Slater, he experimented with the reproduction of Sung, Ming, and early Ch’ing dynasty blood-red rouge flambé and sang-de-boeuf glazes from the late 1890s to the early 1900s
Helen Boehm was an American businesswoman who helped market her husband’s porcelain creations to people all over the world. The work of their family can be found in the White House and in the homes of world leaders across the globe. Given the nickname “Princess of Porcelain,” Mrs. Boehm’s quick thinking and marketing strategies have allowed their products to become standard offerings from United States Presidents to foreign dignitaries.
He was the principal of Camberwell School of Arts and Crafts from 1899 to 1919. He was the curator of the South London Art Gallery during and after this time. Dalton was just 31 years old when he arrived at Camberwell School of Arts and Crafts in 1899. He’d done well to land the position in such a competitive environment – there were 71 other candidates.