He worked as a fashion designer in Tokyo. In 1958, he moved to New York at the invitation of hatter Lilly Daché. He studied ceramics in night classes in New York. In 1973, he returned to Japan, where he studied with Kohbei and painted on unfired porcelain.Read More →
He learned to throw pottery from William Fishley Holland at the Braunton Pottery, North Devon, 1921—22. In 1923, he met Bernard Leach and Shoji Hamada at St. Ives.Read More →
From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).Read More →
In 1942, she worked for the pottery Arabia, Helsinki; from 1959, she was a freelance ceramics designer with Rosenthal, Selb. From the 1960s, she worked for Vassa Cotton Company.Read More →
Thomas Minton bought a pottery in Stoke-on-Trent in 1793 and, in 1796, began production of inexpensive blue transfer-printed earthenware. His son Herbert Minton became director in 1836, expanded the range of wares, and hired artists. Read More →
He ran a pottery studio from 1946 to 1954. He taught at Los Angeles’s California School of Design, where he and his students developed outdoor pottery planters, which resulted in establishing the Architectural Pottery in 1950.Read More →
She was a juror of the 1922 Carnegie International competition, Pittsburgh. She designed both the shapes and the decorations for the 1933—34 Circus range of tableware produced by Arthur J. Wilkinson, Burslem, under Clarice Cliff’s supervision.Read More →
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.Read More →
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen.
Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms. Read More →
Arzberg is regarded as one of the most prestigious porcelain design houses in the world. The definition of good design. Arzberg combines aesthetics, functionality, and durability.Read More →
French designer. He worked primarily in ceramics, but also designed for glass and gold. His ceramics, in an Art Deco style, were manufactured in Limoges Read More →
Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice.Read More →
Shoji Hamada, along with Bernard Leach, was one of the key figures in the development of studio pottery in the 20th century. His influence both in England and the US as well as in his native Japan cannot be underestimated. Read More →
Christensen worked at Royal Copenhagen Porcelain factory; from 1966, worked in own workshop, Oslo; from c1966, taught, Statens Handverks -og Kunstindustriskale, Oslo, and was a professor there from c1986.Read More →
In 1899, he became artistic director of Kéramis, Belgian pottery owned by Boch Freres in La Louviere. In c1910, he moved to University City, Missouri, to work for Taxile Doat as a ceramics teacher at the School of Ceramic Art. He went back to France. He belonged to the Société des Artistes Françaises.Read More →
Stig Lindberg (1916 – 1982) was a Swedish ceramic, glass, textile, industrial designer, and painter and illustrator. During his long career with the Gustavsberg pottery factory, Lindberg produced whimsical studio ceramics and graceful tableware lines, making him one of Sweden’s most important postwar designers. Read More →
Taxile Maxmilien Doat (1851 – 1938) was a French ceramicist. He was born in Albi, and he was active in University City, Missouri.Read More →
Levy-Dhurmer may have been responsible for the rediscovery of the metallic lustre glaze technique used in Middle Eastern ceramics from the 9th century and in Hispano-Moresque pottery of the 15th century. However, the sheen on pieces by Massier and Levy-Dhunner has not lasted. He used primarily light-coloured earthenware with gold highlights and sombre-glazed stoneware. Read More →
Anders Liljefors was a Swedish ceramicist. He initially concerned himself with household ware, discovered a new method of casting ceramics in a sand mould, and worked feverishly to extract new and unexpected effects from this material during the later years of his life.Read More →
Yūsuke Aida (1931-2015) – Japanese ceramics designer and industrial designer. He studied town planning at Chiba University and ceramics under Ken Miyanohara. Read More →