Saarinen faced the problem of trying to treat the leg structurally and visually as part of the reinforced-plastic moulded seat shell with the help of a research team from the Knoll firm led by Donald Petit. This issue had plagued him since he and Charles Eames conducted their first experiments with moulded seat shells.Read More →
Bloemenwerf, Henry Van de Velde’s property outside Brussels, is the inspiration for this chair. Van de Velde planned and built the house and the interior—from the furniture to the wallpaper—resulting in a holistic design that exemplified the concept of a Gesamtkunstwerk “total work of art”. Read More →
Molesworth ranch style furniture has inspired contemporary Western furniture designers such as Jim Covert, Jeff Morris and Marc Tagesger with its large brass pads, Native American motifs and wildfire imagery.Read More →
Bentwood furniture was not invented by Michael Thonet (1798-1871), but he perfected a method for mass production. In 1819, in Boppard, Germany, he opened his cabinetmaking business, and by 1840 he had invented the steam-softening technique for bending rods of hardwood into flowing yet structurally solid shapes. There are just six sections and screws in his all-time classic, Model No.14. Read More →
He founded the firm Gavina in Foligno in 1960 as a subsidiary of his Dino Gavina company. Architect-designer Carlo Scarpa was appointed its titular president. The designs of Franco Albini and the earlier 1920s models of Marcel Breuer were reproduced. Breuer’s 1928 B32 chair, renamed Cesca (after Breuer’s daughter Francesca), became highly successful in mass production and was followed by the reissue of the 1925 Wassily chair, 1924 Laccio tables, 1935 bentwood chaise, and 1955 Canaan desk.Read More →
Ray Eames (b. Bernice Alexandra Kaiser 1912-88) was an American designer. She was born in Sacramento, California. She was the wife of Charles Eames. Read More →
Achille and Pier Giacomo Castiglioni were not the first twentieth-century designers to consider the tractor seat in relation to sophisticated furniture production: Ludwig Mies van der Rohe used it for the Conchoidal chairs he conceived during the early 1940s. Read More →
The form of the chairs is influenced by traditional frame construction, like that of the Eiffel tower. Specific sides form the base, where every element of the furniture puzzle is assembled only using puzzle joints without glue, nails, screws or bolts.Read More →
Honoring the cantilevered chairs of Ludwig Mies van der Rohe, the Newson Aluminum Chair, 90 years later, is a forward-looking expression that synthesizes simplicity, material and precision, in the Modernist tradition.Read More →
Between 1905 and 1907, he worked as an apprentice to architect and furniture designer Bruno Paul in Berlin, where he studied wooden furniture design. He created furniture for all of his early homes, including the Werner residence.Read More →
Emilio Ambasz is an Argentinean who studied architecture at Princeton University from 1960 to 1965, worked at the Museum of Modern Art (MOMA) in New York from 1970 to 1975 as Curator of Design arranged the landmark Italy: The New Domestic Landscape Exhibition in 1972.Read More →
He established an office in Padua, where he became a founding member of Gruppo N in 1959. He experimented with programmed art and collaborated with Gruppo Zero in Germany, Groupe de Recherche d’Art Visuel in Paris (then known as Motus), and Gruppo T in Milan. Read More →
First developed by lifelong couple and design partners Charles and Ray Eames in 1956, the lounge chair was the duo’s interpretation of a 19th-century club chair—designed to resemble a worn first baseman’s mitt and made of high-quality materials like supple leather, wood veneer, and cast aluminum.Read More →
Technology is transformed into furniture, and an eye-catching invention is transformed into a beautiful interior design product. Ludwig Mies van der Rohe was the first to give the cantilever chair a light aesthetic and use curved lines to tie it to its surroundings.Read More →
The series, also known as Collection IV by the brand, was released over a two-year period. It is the Nigerian American designer’s first collaboration with Sé and his most extensive furniture collection to date.Read More →
and comfortable armchair. The walnut or oak wooden plywood shell, upholstered in fabric or leather, is the focal point. Customization is also possible with the aluminium swivel base. For that ultimate touch, this can be completed in polished aluminium or an Epoxy colour.Read More →
The gentle tones wonderfully complement the comfy cushions, creating what the designer refers to as “uterine sensuality.” Memory foam is used to make the pillows, which reminds us of safety, rest, and the future in keeping with the design’s maternal motif. The base is composed of polished aluminium and is uneven in shape, much like the entire chair design. This is a must-see for everyone who likes one-of-a-kind items. Read More →
Back discomfort can be alleviated by using meditation chairs. They offer support as well as comfort to the user and are available in several styles. Most will have a cushioned seat for the user’s comfort, and many will come with a backrest for added support during the workout.Read More →
Birgit Jürgenssen works with constellations and interactions influenced by gender-specific projections, physicality, and identification. Her affiliation in the feminist-oriented group DIE DAMEN (with Evelyne Egerer, Birgit Jürgenssen, ONA B., Ingeborg Strobl, and Lawrence Weiner) aided her in placing her objects between everyday life and role play. Read More →
They began designing products together in 1983, using waste, wood scraps, cardboard, rope, and other materials.Read More →