Design Aesthetics (Page 3)

Design aesthetics, the cornerstone of visual language in applied and decorative arts, encapsulate the essence of beauty and functionality that resonates through time. It’s an amalgamation of colour, form, texture, and pattern that not only pleases the eye but also serves a purpose, fostering a connection between the object and its user. As we delve into tapestries of textile design, the curves of ceramic contours, or the boldness of industrial furniture, we’re not just observers but participants in a historical dialogue. Each piece is a testament to its era, reflecting societal values, technological advances, and cultural shifts. How do the aesthetics in your environment influence your daily experience, and can you trace the echoes of history in the designs you find most appealing? Join the conversation on Encyclopedia Design and unravel the threads of design aesthetics that weave through our lives.

Interior of Newark Works in Bath, designed by Buro Happold as part of a flagship regeneration project featuring open spaces, industrial design elements, and collaborative work areas. Image by TCN.

Buro Happold’s Newark Works project focuses on flexible, sustainable office designs supporting hybrid work. Their strategies enhance health, wellbeing, and operational efficiency for modern work environments.Read More →

The poster has established itself as an integral part of modern marketing and has acquired the status of a typical Swiss quality product just like the one it was intended to sell. A good example is the poster designed in 1952 by Herbert Leupin (1916–1999) for the Pelikan fountain pen company. Showing an eponymous bird with a pen in its beak and a wing ink, it’s done with very little text. The message is simple: the bird is a brand name. Anyone looking to buy a fountain pen.Read More →