Paris, newly liberated from the German occupation, sprung to life during the 1950s as a centre for all modes of artistic endeavour, most notably in fine art, literature, and music. Its association with romantic literary figures such as Jean-Paul Sartre, Simone de Beauvoir, and Roland Barthes made the city incredibly
Plateelbakkerij Ram (1921 – 1969) was an Arnhem-based Dutch ceramics company. Ram was founded in 1921 to produce high-quality ceramic bodies. At Ram 1921—25, Thomas A.C. Colenbrander was the designer for whom the company was established at the age of 80. Ram wares were sold at exhibition auctions as art rather than craft.
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.
The universal typeface, 1925, was a geometric alphabet based on bar and circle and was designed by Herbert Bayer (1900) to function efficiently in a technological society. Bayer rejected the “archaic and complicated gothic alphabet” which lingered in the most scientifically advanced society of its time, Germany of the first world war period and the postwar era.
The Universal Typeface Experiment is a promotional website sponsored by Société Bic, the Bic pen’s manufacturer. The website crowdsources a typeface from smartphone users who use a touchpad and a newly modified BIC pen named the Crystal Stylus, a touchpad-friendly rubber tip, to enter their handwriting on the website.
The Lucky Strike Designer Award is the most prestigious design award in Europe, valued at € 50,000. Since 1991, the Raymond Loewy Foundation has given it out annually. The Raymond Loewy Foundation was established by the world’s second-largest tobacco company, which handed over the foundation to Stilwerk GmbH in 2013.
Mellor specialised in metalwork, especially cutlery, and was regarded as one of Britain’s most well-known designers. He also built bus shelters and the traffic light system that is currently in operation throughout the United Kingdom, British Crown Dependencies, and British Overseas Territories.
Fractals are intricate geometric structures created when patterns (or pieces of patterns) are altered and duplicated at ever-diminishing scales. Besides having a tremendously important effect across a range of sciences, fractals make a stunning picture on your tablet. Even simple shapes can quickly grow complicated when they are altered again and again. A close look can reveal endless variations of the same design theme.
Sourcebook of Scandinavian Furniture: Designs for the Twenty-First Century By Judith Gura With more than five hundred full-colour illustrations, a compendium of the best modern furniture from the Nordic countries. Scandinavia, comprised of five nations, produced some of the most popular furniture designs of the twentieth century, as well as
Pierre Vago was a Hungarian Architect and designer. He studied at the École Spéciale d’Architecture, Paris.
He settled in France in 1928, where he was editor-in-chief on three issues of the review L’Architecture d’aujourd’hui. After World War 2, he was active in reviving the journal and set up his architecture office. In 1948 he left the journal, and it was in 1948 that he became a member of UAM (Union des Artistes Modernes). He built the Basicila de Saint-Pi X (with architect Pierre Pinsard and engineer Eugéne Freysinnet) in Lourdes.
The Association of Industrial Design (Associazione per il Disegno Industriale) (ADI) Since 1956, has brought together designers, companies, researchers, teachers, critics, journalists around the themes of Italian industrial design. It is the lead organisation of the development of industrial design as a cultural and economic phenomenon in Italy.