Charger, c. 1900: A Masterpiece of Daum Frères Glassworks

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

Charger, c. 1900. Daum Frères Glassworks, Nancy, France

The turn of the 20th century marked a golden era for decorative arts, with Art Nouveau at its zenith. Daum Frères Glassworks, based in Nancy, France, was a distinguished contributor to this movement. Among their masterpieces is the stunning “Charger,” circa 1900, epitomising its time’s intricate beauty and innovative techniques.

This article forms part of our French Design and the Decorative Arts series, exploring furniture, fashion, architecture and decorative arts in France.

Daum factory from Google street view — Daum factory from Google Street View

The Art of Glassmaking: Daum Frères’ Legacy

Founded in 1875, Daum Frères Glassworks rapidly established itself as a pioneer in the glassmaking industry. Located in the eastern French city of Nancy, the company gained renown for its exquisite creations that often blended artistic expression with functional design. By the late 19th century, Daum had become synonymous with the Art Nouveau style, characterized by its organic forms and intricate detailing.

A Detailed Examination of the Charger

Title: Charger, c. 1900
Creator: Daum Frères Glassworks
Date Created: circa 1900
Location Created: Nancy, France
Physical Dimensions: Diameter 33.5 cm
Medium: Colorless glass with a turquoise overlay and yellow-brown underlay, acid-etched

This particular charger showcases Daum Frères’ mastery of glass manipulation and design. The bowl, crafted from clear glass with a delicate turquoise tint, features an interior ornament of leaves in yellow-brown glass. Acid etching adds depth and texture, highlighting the leaves’ intricate details.

The Functionality and Aesthetics of Chargers

Chargers, also known as service plates, are larger than dinner plates but smaller than serving platters. They are primarily used as decorative bases for plates and bowls, often seen in upscale restaurants and formal events. Chargers’ elegance and sophistication enhance the overall aesthetic of a dining setting, making them both functional and visually appealing.

Daum Frères and the Art Nouveau Movement

The late 19th and early 20th centuries were a period of intense creativity and innovation in the decorative arts. Art Nouveau, emphasising natural forms and flowing lines, found a perfect medium in glass. Daum Frères embraced this movement, producing artistic and practical pieces.

After World War I, Daum Frères continued to innovate, transitioning to bold acid-etched designs that pushed the boundaries of glass art. Their work during this period reflected a blend of tradition and modernity, maintaining their reputation as leaders in the field.

Historical Significance and Influence

The “Charger, c. 1900” by Daum Frères is more than just a decorative object; it is a testament to its creators’ artistry and technical prowess. This piece reflects the broader historical context of its time, where the decorative arts evolved rapidly, influenced by socio-economic changes and technological advancements.

Visual and Textural Elements

The charger’s colour palette—clear glass with turquoise and yellow-brown hues—evokes a sense of tranquillity and natural beauty. The acid-etched leaves add a tactile dimension, inviting viewers to appreciate not only the visual but also the textural qualities of the piece. This interplay of colour, texture, and form is a hallmark of Daum Frères’ work and a defining characteristic of Art Nouveau design.

Conclusion

Daum Frères’ “Charger, c. 1900” is a brilliant example of the fusion of art and functionality. Its intricate design and innovative use of materials highlight the ingenuity of its creators and the rich history of glassmaking in the Art Nouveau period. As a decorative piece, it continues to inspire and captivate, embodying the timeless appeal of fine craftsmanship.

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