Christian Barman was a key first-generation British industrial designer during the interwar years. He is best known for his 1936 electric iron for HMV, which he started designing in 1933. He studied architecture at Liverpool University and ran his practice until Frank Pick invited him to join London Transport as a Publicity Officer in 1935.
Marc Harrison (1936-1998) was an industrial designer from the United States. Harrison sustained a significant brain injury in a sledding accident when he was eleven years old. He had to relearn simple functions like walking and talking as a result of the crash. Harrison gained experience and motivation for his future work as an industrial designer due to this incident and his lengthy recovery.
He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy. Manufacturers wanted to stimulate demand for their products by offering customers new designs, and Loewy had an abundance of them with the ego to match. His mother had always told him, “It is better to be envied than pitied.”
It was through the Gallery that Chou’s emerging practise of design developed. For its minimalist style and transformational architectural ideas, his design for the spare, but the multi-functional gallery was recognised. The first projects by Chou were the homes and offices of Archive art patrons.