From 1977 to 1983, he worked as the chief editor of the design magazine Modo and as a consultant for the fashion magazine Donna. She designed interiors for Driade, Gianfranco Ferré, Montres and GFF Duty Free, Fontana Arte, Granciclismo sports machines, and Morassutti/Metropolis, as well as serving as an image and product consultant for the Croff/Rinascente chain.
The 1960s was a period of rediscovery in interior design – an opportune reawakening to the merits of forgotten favourites that were abandoned, perhaps not because they had become cliches. Interior Designers returned to past design, materials and ideas not because they evoked nostalgia but solely because they are good and contribute something of value to the way they lived at the time
Daniel Debiasi and Federico Sandri, an Italian design team, have designed an elegant teapot for the Collar range, including coffee and bar equipment for gourmets and connoisseurs. For those already smitten with the stunning Collar silhouette, the Collar Tea Pot is an absolute “must-have.”
Ray Komai was a Japanese American; he was a graphic, industrial and interior designer. He studied in Los Angeles at the Art Center College.
He settled in New York in 1944, where he worked in advertising and set up a graphic design and advertising office (with Carter Winter). J.G. Furniture created Komai’s 1949 moulded plywood chair with a split seat and bent metal legs. They produced his other designs of chairs, tables and upholstered seating as well.
Jay Spectre (1930 – 1992) was an American Interior and furniture designer. He was born in Louisville, Kentucky. He was professionally active in New York.
He began his interior design career in 1951 in Louisville. In 1968, he established the design company Jay Spectre, in New York. He designed interiors for luxury homes, private jet aircraft, yachts, and offices, which showed Art Deco, Asian, and African influences with high-tech and hand-carved elements.
Finnish designer Eero Aarnio (b. 1932) is a great innovator of twentieth-century furniture. His plastic chairs from the 1960s are pop culture icons that continue to be in demand, which is why Aarnio Originals began manufacturing them again in 2017 after launching at the Stockholm Furniture Fair.
Jacques-Émile Ruhlmann (1879 – 1933) was a French designer who was born and lived in Paris. n 1907, he took over his father’s house painting company in Paris. He first exhibited his work in 1911, with architect Charles Plumet and couturier Jacques Doucet, Frantz Jourdain, and Tony Selmersheim.
Influenced by the international modern art movements that had recently swept across Europe, he blended cubism, which used geometric shapes to create abstract images, and fauvism, which favoured the use of bold colours to suggest shapes, with interest in ethnography to create a unique style of portraiture that sought to reveal the subject more thoroughly than the simple rendering of physical features.
Windows are an introduction to the world beyond. They are an invincible part of any home since it brings in air, sunlight, views, sounds that could be music to ears or noise to irritate, weather… inside the house to make and keep it fresh and vibrant. More the windows better ventilated is the home. Moreover, windows allow the owner to show their creativity and decorate it. Designing the right kind of windows with protective grills can make a whole lot of difference in the overall appearance of the room from inside and protection of the house from outside. In Indian homes, we need grills for protection from theft, birds and animals, or simply for the security of our beloved family.
Master midcentury modern design principles with this simple and snappy interior design handbook.
Do you love rich and vibrant timeless design? Are you on a budget and planning a new project based on this hot trend? Are you excited to find out how to create the midcentury modern look for your home, hotel or motel?
He was born in Geelong, Victoria. In 1965, he married Mary Bronwyn Currey, an English-born interior designer, and the pair worked closely as interior designers for many decades. Between 1938-39, Featherston designed decorative-glass panels for Oliver-Davey Glass, Melbourne, and 1939-40 lighting for Newton and Gray, Melbourne.