He worked for various firms in Italy and Yugoslavia. He received a patent for a bookcase-component system. Clients included Ferro & Lazzarini (glassware) and Italianline. He was best known for his lighting in glass and a mushroom-shaped table lamp in marble; became a member of ADI (Associazione per il Disegno Industriale); was author of Venini Glass (1990) and the manager of an art auction house.Read More →
Alfredo Barbini, a descendant of glassmakers from the early 15th century, studied at Abate Zanetti (design school at Murano glass museum) from age ten; in 1930, began studying at Cristalleria, Murano, becoming a maestro; became primo maestro at Martinuzzi and Zecchin; worked with Cenedese in the late 1940sRead More →
Boehm joined Rosenthal in 1966. His limited-edition Reticelli range illustrated his interest in Italian glass by incorporating cotton twist threads in the molten glass-like 17th-century Venetian vessels. Read More →
Murano glassware was historically decorated with opulent rubies and gold and fanciful forms in vibrant colours. He hired freelance designers like Martinuzzi and Fulvio Bianconi regularly. Gio Ponti from 1927, Carlo Scarpa from 1932, Eugene Berman from 1951, Ken Scott from 1951, Franco Albini from 1954, and Massimo Vignelli from 1956 were the designers he commissioned.Read More →
Flavio Poli (1900 – 1984) was an Italian designer of glassware. He was born in Chioggia and worked in Venice professionally. He was born in 1900 and studied art at the Istituto d’Arte di Venezia before working as a ceramicist.Read More →