Georg Jensen was a Danish metalworker. He was born in Faavad. He was apprenticed as a goldsmith. cl895-1901, he studied sculpture, Det Kongelige Danske Kunstakademi, Copenhagen. Read More →
Judith Leiber (1921 – 2018) was a prolific designer whose fanciful minaudières had accessorised royalties, first ladies, and film stars, and entered the collections of art the Metropolitan Museum of Art. While her couture handbags—carried by celebrities such as Greta Garbo, Elizabeth Taylor, Claudette Colbert, Björk, and Barbara Walters—are widely regarded as works of art, Leiber preferred the word “artisan” to “artist.”Read More →
Alma Eikerman (1908 – 1995) was an American jewellery designer and silversmith. Eikerman was born in Pratt, Kansas, and graduated from Kansas State College in Emporia with a B.Sc. in 1934 and an M.Sc. in 1942. Read More →
Jean Schlumberger (1907–1987), one of the most accomplished artists of the twentieth century, produced objects of unrivalled beauty. He was a man of exquisite taste, a jeweller who created extraordinary jewelled statements with a feeling of depth and life. Read More →
Louis Rault (1847 – 1903) was a French Sculptor, engraver, silversmith and jewellery designer.Between 1868 and 1875, Rault worked in the Boucheron workshop on the Place Vendôme in Paris. At the end of the nineteenth century, he set up a workshop where he produced silver and jewellery in the Art Nouveau style.Read More →
In 1958 Eskildsen joined the Georg Jensen design department making designs for flatware, jewellery and hollowware. He became the foreman of the design department in 1962.Read More →
In 1928, Oreste Pennino registered a series of 12 trademarks used from 1926 and illustrating signs of the Zodiac. The firm produced bracelets, rings, clips, earrings, lockets, and brooches and, from 1947, watches and watchcases. Its wares were designed in the forms of flower bouquets, fruit, leaves, and trees in rose, pale and dark blue, and violet. The firm closed in 1961.Read More →
Basse-taille is a method for enamelling the graves or graves low-reliefs on a metal surface,Read More →
In 1925 Marcel Boucher arrived in New York from France and went to work for Cartier as a jeweller. Eventually, he leaves there and makes shoe buckles, possibly for Trifari. At this time, jewellery is all flat, without high modulation. Marcel started his firm in the Thirties, and his first line is an extraordinary group of bird pins made with coloured stones and bright enamels. Nothing like this has ever been done before.Read More →
Maison Gripoix, a French costume jeweller, was located in Paris. Around 1890, Maison Gripoix sold glass beads and buttons wholesale. Subsequently, specialised in handmade imitations of precious and semi-precious jewels, including parures for Sarah Bernhardt.Read More →
Dichroic glass is a type of glass created in the 1990s using the space-age technology known as ‘thin film physics. Dichroic which means “two colours” is a particular kind of glass Read More →
Boucheron was a French court jeweller with branches in Paris, London, Biarritz, and New York. Founded by Frederic Boucheron (1858). Famous for elaborate diamond jewellery during the late 19th century. Expensive novelties shown at international exhibitions in Paris (1867 and 1900) and Philadelphia (1876) attracted wealthy customers (mainly American).Read More →
His early jewellery was in neo-Greek and neo-Renaissance styles, indistinguishable from Vever, Fossin, Morel, and Mellerio.Read More →
In 1752, Georges-Michel Bapst became King Louis XV’s jeweller and took over the direction of his father-in-shop, law’s Georges-Frédéric Stras. (Stras invented ‘strass,’ a colourless glass paste commonly used for jewellery in the 18th and 19th centuries.)Read More →
She used coloured ivory in her early work. In 1977, she started producing necklaces with bound thread. In 1978, she designed a wood- or silver-framed bracelet with tufts of nylon through which the hand could be squeezed; she was a leader in the new jewellery movement that began in 1968, and she used plastic, cloth, paper, and rubber instead of precious metal.Read More →
Carlo Guiliano was an Italian jeweller and goldsmith who was born in Naples and worked in London. In 1860, Guiliano settled in London and worked for Harry Emanuel. He collaborated with Castellani Italian Jewellers on at least one piece of jewellery. In the archaeological or Etruscan style, he was a talented jeweller. He developed his distinctive style, which was copied a lot in the 1880s and 1890s. The Italian-born Pasquale Novissimo, Guiliano’s assistant, created such delicate enamel decoration on Guillano ‘s pieces that they were difficult to copy.Read More →
Nanna Ditzel, a leading Danish 20th-century designer, had also worked in furniture, textiles and jewellery design for many decades and has been one of the few women designers in the country to achieve celebrity status.Read More →
Borje Rajalin is a Finnish Jewellery Designer.
Rajalin worked at Bertel Gardberg’s silversmith from 1952 – 1956. His design work included technical equipment, plastic fittings, cutlery, stainless steel table and cookware and with Anti Nurmesniemi in 1972 a train for the Helsinki Railway. They collaborated with station designers to make the metro stations modern and chic. Rajalin produced silver designs for Bertel Gardberg and jewellery for Kalevala Koru. He taught at Taideeteollinen Oppilaitos and was the director of Taidetelinen Ammattikoulu in Helsinki.Read More →
Monsieur Bijou was the moniker given to Robert Goosens, a French jeweller who lived from 1927 to 2016. He was born in Paris, France, the son of a metal foundry worker. He learned the techniques of casting, engraving, and embossing semi-precious and simulated stones into gold and silver metals during his apprenticeship in jewellery making. Read More →
In 1919, he joined as a designer in the family firm, 6 rue Royale, Paris; he was a friend of Louis Aragon and Paul Eluard. Between 1920—25, he collaborated on Le Corbusier’s and Amédée Ozenfant’s review L’Esprit Nouveau: Revue International d’Esthétique. In his jewellery, he developed a liking for abstract compositions. From 1931, his jewellery designs were characterized by pure and simple geometry. In 1929, abandoning the Société des Artistes Décorateurs, he became a founding member of UAM (Union des Artistes Modernes). Read More →