Harry Bertoia was a sculptor, printmaker, jeweller, and furniture designer. He was born in San Lorenzo, Udine, and worked in the United States professionally. During World War Two he worked with Ray and Charles Eames on moulded-plywood technology. He worked primarily as a sculptor from the mid-1950s onwards. His sculpture was prominently featured in many of Eero Saarinen’s buildings.Read More →
Alma Eikerman (1908 – 1995) was an American jewellery designer and silversmith. Eikerman was born in Pratt, Kansas, and graduated from Kansas State College in Emporia with a B.Sc. in 1934 and an M.Sc. in 1942.ย Read More →
Bertel Gardberg was a Finnish jeweller and metal worker. Between 1938-1941 he studied at Taideteollin Korkeaukoulu, Helsinki. He began his working life in Copenhagen. Gardberg moved to Helsinki where he maintained a studio between 1949-1966. He was responsible for stainless steel and silver designs produced by the Georg Jensen Solvsmedie; Galeries Lafayette department store, Paris and Kilkenny Design workshops, Dublin. Although he was known for his metal wares, he also worked in wood and stone.Read More →
Louis Rault (1847 – 1903) was a French Sculptor, engraver, silversmith and jewellery designer.Between 1868 and 1875, Rault worked in the Boucheron workshop on the Place Vendรดme in Paris. At the end of the nineteenth century, he set up a workshop where he produced silver and jewellery in the Art Nouveau style.Read More →
A hallmark is a symbol or device struck at an assay office on gold or silver, indicating that article conforms to legal standards of manufacture established by the monarch, local guilds, government etc. Literally, mark applied at Goldsmith’s Hall (London assay office since 1300) but extended to cover e.g. all five stamps found on Victorian silver until 1890: assay office mark specific to each assay office; Read More →
Fred G. Minuth was an American Silversmith. He was professionally active in Chicago.Read More →
Erna Zarges-Dรผrr (1907-2002) was a German silversmith. She was professionally active Pforzheim, Leipzig, Berlin. and Stuttgart. Between 1924-27, she trained at Bruckmann und Sรถhne, Heilbronn, as the first women in the silversmiths’ department. From 1927, she studied at the Kunstgewerbeschule, Pforzheim, under Theodor Wende and others. Read More →
He worked as a silversmith from 1926 and became one of the most important silversmiths in Munich and an outstanding enameler. 1935-72, he taught at the Staatsschule (later Akademie) fur angewandte Kunst in Munich. In the 1950s and 1960s, he designed numerous religious objects.Read More →
He was trained in the workshop of his father Anders Nilsson. He studied at the Konigliche Preussische Zeichenakademie, Hanau (Germany), and in the Paris studio of Georg Jensen while at the Acadรฉmie de la Grande Chaumiere and Acadรฉmie Colarossi.Read More →
Brian Asquith (1930 – 2008) was one of the principal figures in British silversmithing during the 20th century, now regarded as the industryโs heroic age. Read More →
A Helicon vase is a centrepiece named after Mount Helicon in Greece. It was sacred to the ancient Greek muses. Read More →
His jewellery designs of a kneeling deer, a dolphin in the rushes, and butterflies on a flower, which he created in 1937, were produced for many years. In 1940, he created the ‘Kingmark’ to commemorate King Christian’s seventieth birthday. It was mass-produced and worn by Danes to demonstrate their allegiance to Denmark and opposition to the German occupation.ย Read More →
In 1916, she established her workshop in Berlin-Charlottenburg. Her early work was influenced by the Baroque, but her later work was more straightforward, as evidenced by her fruit dish in The Studio, 1929.Read More →
The impact of silver metal technology has driven the development of modern furnishings throughout the 20th century. The transformation of a chair into a sculptural statement, for example. Interior metal objects have not always been at the forefront of modern design within a multi-function. With the emphasis on warmth and comfort in the home, the scope for a wide range of metal products for this domain is not there.Read More →
Gunilla Jung was a glass and lighting artist and Silversmith. She designed glassware for Karhula (later Iittala) in the 1930s at the Institute of Applied Arts in Helsinki. Maybe best known for her pioneering lighting projects, such as in Helsinki’s Savoy Theatre.
Taito created her first silver designs and, later in the 1930s, others by Viri and Kultaseppรคt. She worked with Frans Nykรคnen, who at varying times was a director at both silversmithies.Read More →
The Cylinda Line featured a close design connection among all aspects and the consistency of features throughout, including logo and packaging. It was designed over three years by International Style architect Jacobsen in collaboration with its manufacturer, Stelton. Read More →
His silver work was based on the geometric series and had smooth surfaces. Pieces were embellished with ivory, onyx, lapis lazuli, and rosewood. He also used gilding.Read More →
Danish silversmith of Art Deco and Cubist works
Erik Magnussen was a silversmith and designer from Denmark. He lived in the United States from 1925 to 1939, first as artistic director of the Gorham Manufacturing Company in New York City and subsequently with his workshop in Chicago and Los Angeles.Read More →
Hammer was head of one of Norwayโs largest silversmithies. He was best known for his plique-a-jour enamelled spoons popular with tourists and exported in large quantities. He produced the โNorwegian brilliant enamel workโ spoons offered in the 1896 and 1898 Christmas catalogues of Liberty, London. Read More →
He studied painting at the Malvern School of Art under Victor Moody from 1946 to 1947 and 1949 to 1950. Silversmithing at Birmingham College of Art between 1950 and 1952. Between 1952 and 1955, he studied silversmithing at the Royal College of Art in London, mentored by Robert Gooden.Read More →