It was founded in 1914, by Alexander Morton who reorganised his Alexander Morton and Company Ltd, with Morton Sundour as “the major off-shoot”. It was run by his second son James Morton.Read More →
He was in private practice since 1932. Wallpapers, domestic machine-pressed glassware for Chance Bros., 1953 coronation hangings for Westminster Abbey, gold and silverwares, ceremonial metalwork, glassware for King’s College, Cambridge, 1961 metal-foil murals for the oceanliner Canberra, engraved and sandblasted glass murals for Pilkington. Read More →
Shirley Craven (b.1934) was a British textile designer. She studied at Kingston upon Hull and the Royal College of Art, London. Craven ‘pioneered an aesthetic more akin to painting than textiles’, breaking ‘all the rules’.Read More →
Morris used Indian silks and a red and black colour scheme to create Snakehead, featuring his favourite flower, the fritillary.Read More →
She was best known for the eight banners commissioned by Leonard and Dorothy Elmhirst for the Great Hall in Dartington between 1934 and 1938. She was a spinner, dyer, and weaver and an outstanding teacher from 1940 until 1957.Read More →
Designs for London Underground seats. She studied painting and wood engraving at the Royal College of Art in London, as well as at the Central School of Arts and Crafts.Read More →
Morton joined his family’s Morton Sundour Fabrics in 1931 and oversaw the company’s first screen-printed fabrics. He was the artistic director and principal designer of Edinburgh Weavers in Carlisle, which was established in 1928 as Morton Sundour’s creative design unit from 1932 to 1935. From the 1930s, he was a supporter of the Modern movement, commissioning works from well-known painters and artists.Read More →
Jacqueline Groag (1903 – 1986) was a Czech textile designer and ceramicist. Born in Prague she studied in Vienna at the Kunstgewerbeschule during the 1920s. In 1937 she moved to Paris where she designed dress prints for Jeanne Lanvin, Elsa Schiparelli and others.Read More →
Lucienne Day was one of the most influential post-war British textile designers. She developed a unique style of pattern making. Read More →
She collaborated with Charles Rennie Mackintosh and Constance Irving at London’s Foxton textiles and Amsterdam’s Metz store. Macleish was a prolific designer during the 1920s and 1930s, creating patterns for Morton Sundour fabrics.Read More →
Honiton lace is a type of bobbin lace made in Honiton, Devon, in the United Kingdom. Its ornate motifs and complex patterns are created separately, before being sewn into a net ground. Common motifs include daisies, roses, shamrocks, ivy leaves, lilies, camellias, convolvulus, poppies, briony, antwerp diamonds, trefoils, ferns, and acorns.Read More →
In the early 1960s, he taught at the Falmouth School of Art in Cornwall. Some of his textiles incorporated contrasting colors in small dots suggesting printed circuitry, as in his 1963 Cruachan fabric produced by Hull Traders.Read More →
He commissioned some of the most innovative screen prints of the 1930s, designed by Vanessa Bell and Duncan Grant, as a principle of Allan Walton Fabrics. Read More →
Theo Moorman was a devoted artist with a lifetime of experience. She created her technique over a wide range of designs and textural combinations, exploring its potential. A new invention was every piece of work, and they were always full of vitality.Read More →
Between 1952 and 1954, Ellis was a textile department student at Central School of Arts & Crafts, specialising in weaving (she took a National Diploma in the subject).Read More →
She worked as a freelance designer of garment and furnishings textiles. Allan Walton Textiles, Edinburgh Weavers, Campbell Fabrics, and Fortnum and Mason were among her clientele. She taught textile printing at the Royal College of Art.Read More →