She began teaching weaving at the Bauhaus in 1931. She worked at the Dresdener Deutsche Werkstatten in 1931, designing woven textiles, and was the head of the weaving department at the Berlin Modeschule from 1932 to 1936. She worked as the head designer for Gateshead, a British fabric manufacturer.
Laura Ashley was one of the first British designers to experiment with the concept of lifestyle marketing. Her romantic vision of nineteenth-century rural life, adapted to modern domestic realities, inspired a generation of middle-class Britons who returned to country life in the 1960s and 1970s.
Masakazu Kobayashi studied at the University of Arts, Kyoto, Japan. He manifested traditional textile techniques and aesthetics in his work. Between 1966 and 1975, he worked as a textile designer for Kawashima. His 1982 fabric evoked komon, a textile dyeing technique which uses paper patterns with small motifs.
Morton joined his family’s Morton Sundour Fabrics in 1931 and oversaw the company’s first screen-printed fabrics. He was the artistic director and principal designer of Edinburgh Weavers in Carlisle, which was established in 1928 as Morton Sundour’s creative design unit from 1932 to 1935. From the 1930s, he was a supporter of the Modern movement, commissioning works from well-known painters and artists.
Junichi Arai (1932 – 2017) was a Japanese textile designer and producer born in Kiryu, Gunma. As the sixth generation of a mill-owning family, Arai grew up with fabrics being woven for obis and kimonos. He held traditional weaving methods in high regard and the skills that only the human hand can have in the art of fabric making.