Charles Pollock (1930 – 2013) was an American industrial designer who created sleek furniture, most notably an office chair held together by a single aluminium band that became known as a Pollock Chair.
He studied industrial design at the Pratt Institute, Brooklyn, New York.
He worked at the industrial design office of George Nelson, New York. He designed fibreglass furniture with tapering tubular metal legs.
In 1958 he set up his design office where he designed the 1960 657 sling chair in leather for the seat with a steel frame support and the 1965 fibreglass shell swivel office chair, both for Knoll.
He is best known for designing the Pollock Chair; an office chair kept together by a single aluminium band. This iconic chair, first introduced in 1963 and still in development, became a staple of executive offices in the United States in the 1960s and can be seen in institutions such as the Smithsonian Institution and the Metropolitan Museum of Art, as well as the period television show Mad Men.
He subsequently designed chairs for Thonet and the 1981 Penelope metal mesh chair for Castelli.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Wikipedia contributors. (2020, October 11). Charles Pollock (designer). In Wikipedia, The Free Encyclopedia. Retrieved 01:41, April 5, 2021, from https://en.wikipedia.org/w/index.php?title=Charles_Pollock_(designer)&oldid=982966748
You may also be interested in
Ray Eames (b. Bernice Alexandra Kaiser 1912-88) was an American designer. She was born in Sacramento, California. She was the wife of Charles Eames. In creative partnership with her spouse Charles Eames and the Eames Office, she was responsible for groundbreaking contributions in the field of architecture, furniture design, industrial design, manufacturing and the photographic arts.
Charles Eames, a distinguished American designer, filmmaker and architect, studied architecture at Washington University in St. Louis in 1924. In the early 1930s, having worked in private practice, he received a fellowship in 1936 to study architecture and design at the Academy of Art in Cranbrook, which proved to be a valuable experience.