The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism.
Neue Sachlichkeit was a term coined in 1923 by Gustav Hartlaub, director of the Kunsthalle, Mannheim, as the title of an exhibition he organised to demonstrate the progress of post-war painting in Germany. Instead of being abstract, such art was figurative and was marked by a world-weary cynicism without the idealistic expectations of many pre-war movements. Otto Dix and Georg Grosz were its most prominent exponents. In the 1930s, Neue Sachlichkeit was denigrated and swept away by the ideologically inspired art of National Socialism.
Clarke, M. (2010). The concise dictionary of art terms. Oxford University Press.
More on the History of Design
“International Style” Architecture of the Modern Movement
Alfred H. Barr Jr. coined the term in 1931 in conjunction with Philip Johnson and Henry-Russell Hitchcock’s 1932 “Modern Architecture: International Exhibition” (along with the accompanying book International Style: Architecture Since 1922) at the New York Museum of Modern Art, where Barr was director.
What was the Society of Industrial Artists in Britain?
The origins of the CSD lay in the creation in 1930 of the Society of Industrial Artists (SIA) in Britain, when the public debate was concerned with the nature and definition of both the designer and the design profession.
British Studio Ceramics a Short History
In Britain, the backlash against the highly ornamented machine-made ceramics that were fashionable in the late 1800s gathered steam. Art potteries were founded by a group of creative craftspeople who William Morris inspired.
Fashion and Freedom during the 70s and 80s
The 1970s and 1980s were a decade of extremes in fashion. In other creative sectors, as people pushed the boundaries of freedom of speech, styles altered regularly.
Olivetti Design Standard-bearer
Olivetti is an Italian office machinery and furniture firm, located in Ivrea, Northern Italy. For
Mid-Century Modernism – Fresh Optimism in Design
Designers were motivated by a fresh optimism after WWII and the new materials, production techniques, and colours arriving in unique shapes. In more inexpensive and easily mass-produced designs, a more relaxed, fleshed-out style of Modernism began to develop.
Gothenburg, Sweden Exhibition (1923)
The Gothenburg Tercentennial Jubilee Exhibition (Swedish Jubileumsutställningen I Göteborg) was a world fair held in Gothenburg, Sweden in 1923, marking the 300th anniversary of the city’s establishment. The fair, which opened on 8 May, lasted until 30 September.
Neue Sachlichkeit – Design Term
Neue Sachlichkeit was a term coined in 1923 by Gustav Hartlaub, director of the Kunsthalle, Mannheim, as the title of an exhibition he organised to demonstrate the progress of post-war painting in Germany.
Design History – 40s & 50s the age of the Graphic Designer
The 1940s and 1950s the age of the Graphic Designer. Designers, illustrators, and artists used their talents to disseminate information.
Architecture the 1920s & 1930s – the birth of Modernism
Architecture the 1920s & 1930s – the birth of Modernism. The architects of the post-World War 1 years aimed for simplicity above all else.
Fashion Design from 1900 to 1920 – Focus on Freedom
Fashion Design from 1900 to 1920 – Focus on Freedom. Newfound political independence came newfound fashion freedom. READ MORE
Mission Furniture – Design Dictionary Term
Mission Furniture – Design Dictionary Term. The early twentieth-century American furniture design style. American Arts and Crafts
Anchor Blocks – 19th Century construction toy
Anchor Blocks were a German system of building blocks that were popular as a children’s construction toy in the late nineteenth and early twentieth centuries, notably in Europe. Dr F. Ad. Richter in Rudolstadt, Germany, began developing and manufacturing the system in 1879. The concept was based on the FROEBEL block system, which significantly impacted Frank Lloyd WRIGHT’s design philosophy.
Jugendstil an artistic style
Jugendstil, an artistic style that originated around the mid-1890s in Germany and persisted throughout the first decade of the 20th century. READ MOR
Neon Lighting – Dictionary – Design Term
Neon Lighting. Semiflexible, hollow tubes of clear acrylic with small bulbs inside that can be connected to light up all at once or sequentially to produce a “chasing” effect. It’s also known as disco lighting, and it’s given homeowners new illumination alternatives. Lights designers consider neon lighting to be an art form.
Arabesque form of artistic decoration
The arabesque is a form of artistic decoration consisting of “surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils” or simple lines, often combined with other elements.
Aestheticism 19th-century art movement
Aestheticism describes the European art movement of the late 19th century. It is centred on the doctrine that art exists alone for the sake of its beauty and that it does not have to serve any political, didactic or another purpose. Aestheticism is diametrically opposite to the moralist belief, the belief that moralism (and everything else) should be the handmaiden of art instead of art (and everything else) being the handmaiden of morality.
Humble history of the pencil
I am feeling nostalgic for the humble pencil. There is a comfort and warm familiarity whenever I pick one up (rarely these days). Pencils are inexpensive, portable, simple to operate and the marks that they make are easy to erase. Unlike other writing tools, they do not run out of ink or skip.
The Chevron pattern – a Popular motif for Designers
The word chevron comes from the French word chevron, which means rafter or gable. Although there is no definition to prevent freedom in its shape, the chevron’s angle is most commonly between 60 and 70 degrees.
Worshipful Company of Goldsmiths
Medieval guild for Goldsmith Trade The Worshipful Company of Goldsmiths, also known as the Goldsmiths’ Company, is one of London’s Great Twelve Livery Companies. It is correctly known as The Wardens and Commonalty of the Mystery of Goldsmiths of the City of London. The Company’s headquarters are located in the City of London’s Goldsmiths’ Hall.