
The blue-dash charger is a large circular earthenware dish made in England (especially Bristol and Lambeth) in the late 17th century and early 18th. The name derives from the dashes of blue around the rims. The dishes are usually decorated with Stuart monarchs or pretenders, but some portray an Adam and Eve in which the fruit is an orange, an allusion to William and Mary of Orange. There are no makers’ marks on the dishes.
Sources
Campbell, G. (2006). The Grove Encyclopedia of decorative arts. Oxford University Press.
More Decorative Arts Terms
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The Jacquard Mechanism: A Revolution in Textile Design
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The Journey of Delftware: From Eastern Origin to European Classic
Delftware, originating in the Netherlands, was greatly influenced by imported Eastern porcelain. Its tin-glazed earthenware imitated porcelain’s look, gaining popularity as a more affordable alternative. Its aesthetic and affordability drove English manufacturers to produce their own versions, broadening Delftware’s reach.Read More →
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Maiolica tin-glazed earthenware, a product of the Renaissance
Maiolica is a tin-glazed earthenware that was produced during the Renaissance in Italy. The name comes from Majorca, the island from which, in the 15th century, a lot of Hispano-Moresque tin-glazed pottery was brought into Italy. The technique of covering with a tin glaze earthenware was similar to that used elsewhere in Europe for delftware…
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Gesamtkunstwerk – Complete Art Work
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Suprematism Russian abstract art & design style
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The Art of Kakemono: The Elegance of Japanese Hanging Scrolls
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Cameo Incrustation: The Art of Porcelain and Glass through Time
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Glasgow School – Art & Design Term
“Glasgow School’ is a term used to describe several groups of artists based in Glasgow. The first and most significant of these groups was a loose association of artists active from around 1880 to the turn of the century; there was no formal membership or programme, but the artists involved (who prefered to be known…
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Biomorphism: A Fusion of Nature and Design
Biomorphism is an artistic and design movement that incorporates natural forms for decorative purposes. It emerged in the early 20th century and features swirling motifs and elongated vegetal shapes. The style faded but resurged in the 1940s. Influential figures like Saarinen and Mollino promoted biomorphism. It continues to inspire designers, bridging nature and design.Read More…
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Chromium: Transforming the Decorative and Applied Arts for Over 150 Years
Chromium has been a game-changer in the decorative and applied arts for over 150 years. This versatile metal, known for its lustrous appearance, has revolutionized design in various mediums. From furniture and automobiles to ceramics and gemstones, chromium’s impact is undeniable. Its reflective properties and corrosion resistance make it ideal for creating striking metallic finishes.…
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Unveiling the Beauty of Silvered Glass: A Historic Technique with a Modern Twist
Silvered glass, a historic technique dating back to the mid-19th century, revolutionized the industry by creating double-walled glass objects with a silver nitrate solution inserted between layers. The technique gained momentum when patented by William Leighton in 1855, and has since been adopted by Belgian, French, English, and Italian firms. Etching and colored coatings have…
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Slipware Pottery – what is it?
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Japonisme – a French interpretation of a Japanese aesthetic
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Neon Lighting – Dictionary – Design Term
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Affichiste French for Poster Designer
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Jenny Lind Style of Furniture | Encyclopedia Design
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Lithography Don’t Show the Trick, Show the MAGIC
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Regency Tankard – Intricate Low Relief
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What is Wrought Iron?
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