This entry sits within the Decorative and Applied Arts Encyclopedia, a master reference hub indexing design history, materials, movements, and practitioners.

Affichiste is the name (literally ‘poster designer’) taken by the French artists and photographers Raymond Hains (b.1926) and Jacques de la Villeglé (b.1926), who met in 1949 and created a technique to create collages from pieces of torn-down posters during the early 1950s. These works, displayed for the first time in 1957, were called affiches lacérées (torn posters).
The affichistes were part of the Nouveau Réalisme movement, which emerged in France in the late 1950s and was characterised by a focus on everyday objects and the urban environment. The affichistes’ collages were made from the fragments of posters they collected from the streets of Paris, and they aimed to capture the vitality and energy of the city. The affichistes were interested in how the posters decayed over time, and they saw their work as a way of preserving and celebrating this ephemeral art form.
To produce precise images and effects, Villeglé manipulated the posters. Still, Hains left them more or less as he found them to illustrate the advertising world’s aesthetic bankruptcy. In the 1950s, other artists, particularly the Italian Mimmo Rotella and the German Wolf Vostell, adopted a similar technique.
The “affichistes” played a significant role in developing collage as an art form and brought attention to the artistic potential of found materials and the aesthetics of urban decay. Their works challenged traditional notions of artistic creation and explored the intersection of art and everyday life.
More on Graphic Design
British Passport a Symbol to Expolore
The British passport symbolizes identity and history, featuring a distinct navy cover and Royal Coat of Arms, providing access to…
Keep readingWilliam Caslon: Authority in Type
William Caslon’s eighteenth-century type specimen sheet asserts visual authority through disciplined design, integrating various scripts to convey seriousness and establish…
Keep readingBauhaus Posters: Graphic Design as Applied Art, Pedagogy, and Public Communication
Bauhaus posters symbolize modern graphic design’s evolution, merging art, architecture, and education. They prioritize clarity, structure, and ideology, impacting graphic…
Keep readingMore design articles
You may also be interested in reading
Jacques Gruber French Stained Glass artist and designer – Encyclopedia of Design
Jacques Gruber (1870-1936) was a French stained-glass artist, designer, and teacher, born Sundhausen, Alsace. He studied at the Ecole des Beaux-Arts, Paris, under Gustave Moreau. He was distinguished as a designer in the Art Nouveau idiom. Between 1894-97 he worked for the Daum glassworks, designing intricate figurative vases; learned the art of engraving, rendering decorations for Wagner’s operas.
Raymond Loewy – an American Designer – Encyclopedia of Design
He arrived in the United States in 1929, just in time for the great depression. As it happened the beginning of the depression was a fortuitous time for a talented designer with new ideas to arrive in the United States. The old design aesthetic was disappearing with the collapsing economy.
Discover more from Encyclopedia of Design
Subscribe to get the latest posts sent to your email.