The Legacy of Nonesuch Press: A Convergence of Art and Literature

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

Book, 'The writings of Gilbert White of Selborne' Vol 1, by Gilbert White, edited by H J Massingham, London: The Nonesuch Press, 1938
Book, ‘The writings of Gilbert White of Selborne’ Vol 1, by Gilbert White, edited by H J Massingham, London: The Nonesuch Press, 1938 V&A

Established in 1922 in London, the Nonesuch Press stands as a pivotal chapter in the history of publishing, reflecting a unique blend of artistic vision and technological innovation. Founded by Francis Meynell, Vera Mendel, and David Garnett, the press embarked on a journey that would redefine the standards of book design and accessibility. This post delves into the history, philosophy, and lasting impact of Nonesuch Press, exploring its role in the broader context of applied and decorative arts.

The Genesis of Nonesuch Press

Nonesuch Press was born in the creative undercurrents of early 20th-century London, within the basement of Birrell & Garnett’s bookshop. Its inception was marked by the release of John Donne’s Love Poems in May 1923, setting the stage for a legacy of over 140 publications. The press thrived during the 1920s and 1930s, characterized by a vibrant exploration of aesthetic and literary excellence.

A Visionary Approach to Publishing

Unlike traditional private presses, Nonesuch Press embraced a novel approach by designing books with a small hand press and outsourcing the printing to commercial printers. This method, pioneered by Meynell, aimed to marry the quality of fine-press publications with the affordability and accessibility of commercial books. Meynell’s ambition was to prove that “mechanical means could be made to serve fine ends,” challenging the notion that exquisite book design was exclusive to the hand-pressed domain.

Eric Ravilious: Proof of decoration to ‘The Writings of Gilbert White of Selborne’ including ‘The Natural History of Selborne’ selected and edited by H.J. Massingham, published by the Nonesuch Press, 1938. Wood- engraving
Eric Ravilious: Proof of decoration to ‘The Writings of Gilbert White of Selborne’ including ‘The Natural History of Selborne’ selected and edited by H.J. Massingham, published by the Nonesuch Press, 1938. Wood-engraving V&A

Notable Contributions and Editions

Nonesuch Press is renowned for its diverse publications, including the works of William Congreve, William Wycherley, Miguel de Cervantes, and Dante, alongside illustrated editions that remain highly coveted by collectors. The press also extended its repertoire to classic children’s literature, enriching the cultural landscape with timeless stories.

The Weekend Book: A Cultural Phenomenon

One of the press’s most celebrated achievements is The Weekend Book, a compendium of literature, poetry, and practical information designed for leisurely reading. First published in June 1924, it captured the public’s imagination, selling over 100,000 copies within its first seven years. The book’s success underscored Nonesuch Press’s ability to cater to a broad audience, providing a window into the era’s cultural zeitgeist.

Legacy and Revival

The influence of Nonesuch Press extends far beyond its operational years. Barnes & Noble and Duckworth reissued several Nonesuch editions of Charles Dickens’s novels, affirming the enduring appeal of the press’s publications. The revival and continued interest in Nonesuch Press editions underscore the timeless relevance of its contributions to the decorative and applied arts.

Conclusion

Nonesuch Press embodies a remarkable synthesis of artistic integrity and technological ingenuity, setting a precedent for future generations in publishing and design. Its legacy is a testament to the enduring power of beauty, craftsmanship, and accessibility in the literary world. As we reflect on its impact, we are reminded of the profound connection between art and literature and the ways in which this relationship continues to inspire and enrich our cultural heritage.

Sources

An Illustrated Companion to the Decorative Arts. (1989). United Kingdom: Wordsworth.

Nonesuch Press. (2023, March 17). In Wikipedia. https://en.wikipedia.org/wiki/Nonesuch_Press

Nonesuch Press. (2010). In The Oxford Companion to the Book. Oxford University Press.

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