Alberhill Pottery: An Artisan Legacy in California’s Clay

Advertisements
Alberhill Pottery Vase USA, 1914 glazed earthenware
Alberhill Pottery Vase USA, 1914 glazed earthenware 4¾ h × 4½ dia in (12 × 11 cm) RAGO

Crafting Art from Earth: The Alberhill Legacy

The Birth of Alberhill Pottery

In the heart of California’s Riverside County lies a story of craft, art, and earth. The Alberhill Coal and Clay Company, established amidst the coal beds of the Alberhill-Corona district, embarked on a journey beyond industrial mining to embrace the art of pottery. This transformation was propelled by Alexander Robertson, a master potter whose hands shaped the very essence of Alberhill’s clay into exquisite art pieces, marking a significant chapter in American ceramics history.

Alexander Robertson: The Artisan Behind the Wheel

Alexander Robertson’s departure from Halcyon Art Pottery to Alberhill in 1912 signified a pivotal moment. Hired by James H. Hill, Robertson was tasked with experimenting with the distinct Alberhill clays. Over two years, he crafted art pottery primarily in unglazed models, showcasing the natural beauty of the clay with colours spanning from terracotta red to the softest pinks and whites. His work, a testament to skill and creativity, earned a gold medal at the 1915 Panama-Pacific International Exposition, celebrating the potential of Alberhill clay on an international stage.

Alberhill Pottery Vase USA, 1913-14 bisque earthenware
Alberhill Pottery Vase USA, 1913-14 bisque earthenwareRAGO

The Craft: Unveiling the Beauty of Clay

Robertson’s pottery was not merely vessels; they were canvases that exhibited the quality of Alberhill clays. Each piece, skillfully thrown on the wheel and decorated with classical motifs, bore the mark of Robertson’s dedication. His preference for leaving the majority of his work unglazed allowed the inherent beauty of the clay to speak, creating a unique aesthetic that distinguished Alberhill pottery.

A Legacy Unfulfilled: The Art Pottery That Never Was

Despite the brilliance displayed in Robertson’s creations and plans for an expansive art pottery venture in Riverside, the commercial production of pottery at Alberhill remained a dream unfulfilled. Robertson’s departure in 1914 and subsequent considerations for production in 1920 never materialized, leaving his work as the sole testament to what could have been a significant chapter in the art pottery world.

The Mark of Mastery: Identifying Alberhill Pottery

Alberhill pottery pieces are historical treasures, each marked with “A.C.C.Co. Cal.” for early works or the impressed Alberhill mark in later creations. Robertson’s personal A.W.R. monogram and unique clay codes, such as an incised anchor, serve as identifiers of his craftsmanship and the clay’s origin, adding to the allure and value of these rare pieces.

Conclusion

The story of Alberhill Pottery and Alexander Robertson is a narrative of artistry, earth, and what might have been. Through the hands of a master artisan, Alberhill’s clay was transformed into works of art that continue to captivate and inspire. It serves as a poignant reminder of the power of craft and the enduring legacy of those who shape beauty from the natural world.

Sources

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

Evans, P. (1987). Art pottery of the United States : an encyclopedia of producers and their marks, together with a directory of studio potters working in the United States through 1960. New York: Feingold & Lewis Publishing Corporation.

The Arts and Crafts Movement in California: Living the Good Life. (1993). United Kingdom: Oakland Museum.

Advertisements

More on American Ceramics


Discover more from Encyclopedia of Design

Subscribe to get the latest posts sent to your email.