Edward Chandler Moore: Influential American Silversmith in the 19th Century

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

Creamer ca. 1875 - 1880 (made) by Edward Chandler Moore
Creamer ca. 1875 – 1880 (made) by Edward Chandler Moore. V&A

Edward Chandler Moore (1827-1891) was an influential American silversmith who significantly contributed to the evolution of American silverware during the 19th century. Known for his innovative designs and exceptional craftsmanship, Moore’s work with Tiffany & Co. helped establish the company as a leader in luxury silverware.

Early Life and Background

Edward Chandler Moore was born into a family with a strong tradition of silversmithing. His father, John Chandler Moore, was a prominent silversmith in New York City, and Edward learned the craft under his father’s tutelage. This early exposure to silversmithing laid the foundation for his future success.

Coffee and milk jug and sugar bowl set designed by Edward Chandler Moore
Edward Chandler Moore designed the coffee and milk jug and sugar bowl set. V&A

Career and Contributions

Edward Chandler Moore’s career was marked by his long association with Tiffany & Co., beginning around 1851. His contributions were pivotal in elevating Tiffany & Co.’s reputation for high-quality silverware.

Coffeepot
from the "Moresque" pattern by Edward Chandler Moore. MFAH
Coffeepot
from the “Moresque” pattern by Edward Chandler Moore. MFAH

Innovative Techniques

Moore was renowned for his technical skills and introduced several innovations in silverworking. His adeptness at repoussé, chasing, and other decorative techniques allowed him to create detailed, textured surfaces on silver objects. In 1852, he encouraged Tiffany to adopt the English sterling standard (92.5% silver), a significant move for American silversmithing.

Design Philosophy

Moore’s designs often reflected the artistic movements of his time, including the Gothic Revival and the Aesthetic Movement. He skillfully blended traditional and contemporary styles, making his work highly sought after. His enthusiasm for the Japanese style, influenced by pieces he saw at the 1867 Paris Exposition Universelle, led to integrating Japanese motifs into Tiffany’s designs. By 1871, Tiffany produced Japanese-influenced flatware patterns, and from 1873, hollowware.

Edward Chandler Moore
Soup Tureen with Underplate. MFAH
Edward Chandler Moore
Soup Tureen with Underplate. MFAH

Notable Works

Some of Moore’s most famous works include intricate tea sets, ornate flatware, and decorative pieces like centrepieces and candelabras. Notable creations include the “Audubon” flatware, celebrated for its modelled and cast bird designs, and the opulent enamelled silver and inlaid “Magnolia” vase. These works showcased Moore’s ability to combine Western and Eastern themes, resulting in unique and highly artistic pieces.

Legacy

Edward Chandler Moore’s contributions to silversmithing had a lasting impact on American decorative arts. Under his leadership, Tiffany & Co. earned numerous accolades, including medals at the Expositions Universelles of 1867 and 1878. His innovative designs and commitment to high-quality craftsmanship set a benchmark in the industry.

Moore’s legacy is preserved through his exceptional creations, many of which are housed in museums like the Metropolitan Museum of Art. His influence is evident in the continued appreciation for finely crafted silver and the ongoing tradition of excellence in American silversmithing.

Sources

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

Dimmick, L., Hassler, D. J. (1999). American Sculpture in the Metropolitan Museum of Art: A catalogue of works by artists born before 1865. United Kingdom: The Museum.

Edward Chandler Moore. (2024, March 28). In Wikipedia. https://en.wikipedia.org/wiki/Edward_Chandler_Moore

Marter, J. M. (2011). The Grove Encyclopedia of American Art. United Kingdom: Oxford University Press.

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