The Renaissance Elegance of the Mirror Clock: A Masterpiece of Time and Cosmos

Mirror clock - The Metropolitan Museum of Art
Mirror clock – The Metropolitan Museum of Art

The Mirror Clock, a magnificent work of late Renaissance craftsmanship, is a testament to the ingenuity and artistry of 16th-century clockmakers. This exceptional piece, attributed to the German clockmaker Master CR and designed in part by Matthias Zรผndt and Cornelis Bos, is a timekeeping device, a work of art, and a symbol of the Renaissance fascination with the cosmos and divine order. Displayed at The Met Fifth Avenue in Gallery 520, this clock embodies a unique blend of science, faith, and opulent design, illustrating the values and aesthetic sensibilities of its time.

Monstrance clock, ca. 1570
German, Nuremberg, 
Case: gilt bronze; Dial: gilt brass; Movement: plated frame of iron, iron wheels; H. 16 x Gr. W. 6-1/4 in.  (40.6 x 15.9 cm)
The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917 (17.190.639)
http://www.metmuseum.org/Collections/search-the-collections/193609
Monstrance clock, ca. 1570 German, Nuremberg, Case: gilt bronze; Dial: gilt brass; Movement: plated frame of iron, iron wheels; H. 16 x Gr. W. 6-1/4 in. (40.6 x 15.9 cm) The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917 (17.190.639) http://www.metmuseum.org/Collections/search-the-collections/193609

The Mirror Clock: Form and Function

Known as a mirror clock due to its resemblance to a looking glass, this timepiece is also called a monstrance clock, alluding to its similarity to the religious vessels used to display sacred relics or the consecrated host. This connection to religious artifacts highlights how Renaissance thinkers linked science and the cosmos with the divine, seeing the heavens as part of a grand, orderly universe shaped by divine forces.

Far from the precision timepieces of today, early clocks like this were valued not for their accuracy but for their intricate mechanisms and the grandeur they conveyed. They were luxury items designed to educate and impress, with celestial information displaying the Renaissance fascination with the heavens. The Mirror Clockโ€™s dials and settings provide insight into the astronomical knowledge of the period, showcasing both practical and decorative elements that held symbolic meaning for its contemporary audience.

A Celestial and Astronomical Marvel

The Mirror Clockโ€™s dial is an astrolabe of sorts, once capable of tracking a wealth of astronomical information. Though parts of this dial are now missing, it initially displayed the apparent motion of 23 stars in the northern hemisphere and the position of the sun and the moon within the zodiac. The clock also showed the age and phase of the moon throughout its monthly cycle, a feature that appealed to the periodโ€™s fascination with lunar influence on earthly matters.

Surrounding the chapter ring, a recessed ring indicates the day of the year, saints’ days, and other significant dates, providing calendrical information from 1570 to 1610. This function would have been invaluable in an era when the calendar dictated religious observances, agricultural cycles, and even medical practices. At the very top of the clock is an alarm dial, allowing users to set remindersโ€”a feature that emphasizes the pieceโ€™s practical side amidst its extravagance.

The Artistry of Nรผrnberg Clocks

The clock’s case is an ornate display of late Mannerist design, characteristic of Nรผrnbergโ€™s finest timepieces. Intricately decorated with scrolls, mythical creatures, and floral motifs, the case serves as a protective housing for the movement and an elaborate work of art. The caseโ€™s lavish details are a testament to the skill of artisans in Nรผrnberg, known for their high-quality clocks and metalwork during the Renaissance. This rich ornamentation reflects the decorative exuberance of the Mannerist style, which valued complexity, sophistication, and a playful manipulation of traditional forms.

A Renaissance Synthesis of Art, Science, and Faith

The Mirror Clock is more than a timekeeping deviceโ€”it symbolises the Renaissance worldview, blending art, science, and faith in a single object. During this period, scientific discovery was not seen as separate from religious belief but as a way to understand the universe’s divine order. The clockโ€™s astronomical functions, religious iconography, and artistic flourishes combine to create a multifaceted object that speaks to the intellectual and cultural pursuits of the Renaissance.

While it may no longer serve as an accurate measure of time, the Mirror Clock remains a marvel of design and craftsmanship, embodying the Renaissance spirit of exploration, reverence for the heavens, and love of beauty. It invites us to reflect on a time when understanding the cosmos was seen as a way to connect with the divine and when every objectโ€”no matter how functionalโ€”was an opportunity for artistic expression.

In the grand halls of The Met, this clock continues to captivate viewers, not just for its beauty but for its intricate storyโ€”a story of humanityโ€™s enduring quest to chart the heavens and understand our place within them.


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