This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

Frank Gehry’s Power Play Armchair exemplifies his innovative approach to design, where he reimagines everyday materials to create unexpected forms. This piece reflects Gehry’s belief that furniture should surprise and challenge, aligning with the Pop aesthetic’s emphasis on transforming the mundane into the extraordinary.
Historical Context: Reinterpreting Modernist Icons
Gehry’s earlier creation, the Wiggle Side Chair (1972), redefined the iconic Zig-Zag Chair by Gerrit Rietveld through the use of corrugated cardboard—a humble material elevated to high design. This reinterpretation demystified the Modernist icon, making it accessible and engaging. (Architectural Digest)


Visual Aesthetics: From Cardboard to Bentwood
Transitioning from cardboard to bentwood, the Power Play Armchair (1990) showcases Gehry’s mastery in manipulating materials. The chair’s ribbon-like wooden strips create a dynamic form that challenges traditional furniture design, embodying movement and fluidity. (Knoll International)
Design Principles in the Power Play Armchair
Gehry’s design employs several key principles:
- Movement: The flowing lines of the bentwood convey a sense of motion, making the chair appear almost animated.
- Contrast: The chair’s sculptural form juxtaposed with the rigidity of wood creates striking visual tension.
- Unity and Variety: While the design maintains a cohesive structure, the varying curves and angles introduce diversity, keeping the viewer engaged.
Philosophical Implications: Challenging Material Norms
Gehry challenges preconceived notions of material use in furniture design by utilising bentwood in unconventional ways. His work encourages us to see beyond traditional applications, finding beauty and function in unexpected forms.
Contemporary Relevance: The Intersection of Art and Function
Gehry’s Power Play Armchair blurs the line between art and functional design, serving as both a practical and sculptural object. This duality invites us to reconsider the role of furniture in our spaces, appreciating it not just for utility but also for its artistic expression.
Gehry’s work continues to inspire designers to explore the potential of everyday materials, pushing the boundaries of form and function.
Related Articles
Discover more from Encyclopedia of Design
Subscribe to get the latest posts sent to your email.