This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.
The Armchair MR 20, designed in 1927 by Ludwig Mies van der Rohe, exemplifies the functional elegance and innovation of the modernist movement. Crafted from nickelled tubular steel and upholstered in leather, this chair merges industrial materials with sleek design to achieve both comfort and aesthetic harmony.
Design and Features
• Material: The use of tubular steel showcases Mies van der Rohe’s commitment to modern materials. This lightweight yet durable material was revolutionary in furniture design during the 1920s, offering a sense of weightlessness and industrial sophistication.
• Form: The MR 20 features a cantilevered structure, eliminating the traditional four-legged framework. This design creates a floating effect, emphasizing simplicity and modernity.
• Dimensions: Standing at 77 cm, the chair is ergonomically designed, blending functionality with a minimalist aesthetic.
Craftsmanship
The MR 20 was manufactured by Berliner Metallgewerbe Joseph Müller, a Berlin-based company specializing in metalwork. Their precision craftsmanship ensured the chair’s structural integrity and sleek finish, aligning with Mies van der Rohe’s meticulous design standards.
Cultural and Historical Significance
The MR 20 reflects the principles of the Bauhaus movement, where Mies van der Rohe was a leading figure. This chair is not just a piece of furniture but a representation of the era’s drive toward modernism, functionality, and the integration of art and industry.
Legacy
The MR 20 remains an iconic design, influencing contemporary furniture and symbolizing the timeless appeal of modernism. It is featured in museums and design collections worldwide, including the Museum of Modern Art (MoMA) in New York.
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