Charlotte Edey is a British printing, textile and embroidery artist & illustrator. Her interdisciplinary discovery of the intersections of identity and the spiritual reveals the symbolism and myth within her work. Womxn’s experience of colour is centred in her commentary on the politics of space.
The pointillism artist Nicholas Baker, based in Salt Lake City, creates a beautiful, nature-inspired art made up of millions of small, hand-drawn dots. Dot by dot, Baker drew an impressive detailed illustration using only black ink pens. Not only does each monochrome drawing provide an impressive amount of detail, but it also provides perfect shadow and light tones. We all know it takes time to perfect a craft, but probably still beyond your imagination, the time required to complete a drawing like the one mentioned below. Baker spent a tedious 160 hours stippling a portrait of an elephant in one specific piece, featuring wrinkled skin, a cracked tusk, and encrusted crystal formations.
In the context of Bubblewrap, Healing examines the multifaceted and quirky universe that is Takashi Murakami’s Superflat and the far-reaching and profound influence of Japanese ceramic art. Where art in the West is focused on the distinctions between ‘highbrow’ and ‘lowbrow’ culture,’ original’ and ‘derivative,’ art ‘and’ product,’ Superflat is a distinct lineage of contemporary Japanese art rooted in anime and manga.
Aušrinė Pudževytė is a painter and interior designer. She makes illustrations in cups of coffee. She combines photography and her works in an abstract style. And we can say that the rendering is bluffing. Her work is to be discovered on Instagram and Facebook. She will launch soon her website.
Futurism was an art movement consisting of painting, sculpture, and literature that flourished from 1909. It was established by Italian, poet, Filippo Tommaso Marinetti and inspired by Cubism. Marinetti coined the term Futurism for the art movement that he founded. He intended it as a celebration of modernity and a rejection of romance and sentiment, it was dedicated to modernity and speed, to the violent, the urban and the mechanical.
Ruslan Khasanov is a graphic designer based in Russia. Its motto ? “Beauty is everywhere.” Thus, in his work, he plays with his creativity and emphasizes simple elements of everyday life. In his project entitled “MAC Cosmetics”, he created a content using and mixing liquids from the american cosmetics brand. The bright colors of each product offers a brilliant result. To discover on Behance.
Embroidered Illustrations by R.Masha Beautifully crafted embroidered artworks by Russian artist R.Masha . Embroidered Illustrations by R.Masha | Inspiration Grid Published Nov 6, 2018 The Noun Project launches new stock photo platform focused on inclusion The Last of Us Fan Art Collection Artistic Lettering: 15 examples to inspire you
A selection of work by Métis artist Jean Paul Langlois from Vancouver Island, currently based in East Vancouver. Informed by pop and pulp culture, particularly Westerns, 70s sci-fi and Saturday morning cartoons, Langlois plays with ultra-saturated colours and motifs as a way of grappling with a sense of alienation from his own cultural backgrounds — both indigenous and settler.
San Francisco -based artist Joe Roberts will be releasing his second book, The book features a foreword by journalist and documentarian Hamilton Morris (Hamilton’s Pharmacopeia on Viceland) as well as a conversation with gallerist and actor Leo Fitzpatrick (director of Marlborough Contemporary).
The rise of “pulp fiction” in the United States began as a flashy offshoot of the sudden and unprecedented democratization of reading that followed the upheavals of the Civil War. Soaring literacy rates among the working class joined with new technologies of paper production, created a thriving market for accessible, entertaining stories in an inexpensive, portable format.
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen.
Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms.