Marie Teinitzerová was born in a little town near Pelhimov called kov. However, she and her parents soon relocated to Jindichv Hradec. In Vienna and Brno, she studied painting. She attended the School of Applied Arts in Prague from 1905 to 1906, then a weaving school in Berlin in 1906. Her research tour took her to Denmark, Sweden, and France, where she attended tapestry workshops in Paris. She returned to Prague in 1908.
Zandra Rhodes studied lithography and printing at Medway College before going on to the Royal College of Art to study textiles, graduating in 1964 during the height of the pop movement. She made a paper wedding dress that cost less than two shillings, motivated by this trend and the work of painter Roy Lichtenstein in particular (about 7 new pence). In 1967, paper clothing was all the rage: it was the ultimate representation of disposable apparel.
She began teaching weaving at the Bauhaus in 1931. She worked at the Dresdener Deutsche Werkstatten in 1931, designing woven textiles, and was the head of the weaving department at the Berlin Modeschule from 1932 to 1936. She worked as the head designer for Gateshead, a British fabric manufacturer.
Judith Leiber (1921 – 2018) was a prolific designer whose fanciful minaudières had accessorised royalties, first ladies, and film stars, and entered the collections of art the Metropolitan Museum of Art. While her couture handbags—carried by celebrities such as Greta Garbo, Elizabeth Taylor, Claudette Colbert, Björk, and Barbara Walters—are widely regarded as works of art, Leiber preferred the word “artisan” to “artist.”
Laura Ashley was one of the first British designers to experiment with the concept of lifestyle marketing. Her romantic vision of nineteenth-century rural life, adapted to modern domestic realities, inspired a generation of middle-class Britons who returned to country life in the 1960s and 1970s.
Masakazu Kobayashi is a Japanese textile designer. He studied at the University of Arts, Kyoto, Japan. Between 1966 and 1975, he worked as a textile designer for Kawashima. He manifested traditional textile techniques and aesthetics in his work. He developed both production fabrics and large-scale fibre works.
He was in private practice since 1932. Wallpapers, domestic machine-pressed glassware for Chance Bros., 1953 coronation hangings for Westminster Abbey, gold and silverwares, ceremonial metalwork, glassware for King’s College, Cambridge, 1961 metal-foil murals for the oceanliner Canberra, engraved and sandblasted glass murals for Pilkington.